A Wonderfully Unusual Combination in Lucca

One of the concerts I attended in Lucca’s BASS2018 LUCCA (Sixth European Biennial Double Bass Congress and Festival running from July 30th to August 5th, 2018) was that held in the Boccherini conservatoire’s red room. The performers were Valentina Ciardelli (double bass), Anna Quiroga (harp) and Stefano Teani (piano).

It was a quite fantastic concert: lively, different, lyrical, surreal, fun, fab, with something to please all except for one person (wait till the end to find out).

 

The afternoon recital started with something frenetically Rossinian. It was a real challenge to play this piece in the mounting heat of a Lucca scorched by one of its hottest days.

The both lyrical  and witty second item was composed by Valentina.

Other pieces followed including some by Frank Zappa (Valentina’s sobriquet is ‘Zappawoman’).

Valentina’s pot-pourri arrangement of themes from Puccini’s ‘Madama Butterfly’  paid elegant homage to Lucca’s most famous composer.

My favourite, however, was the Royal March from Stravinsky’s Soldier’s Tale played by Ciardelli and Quiroga (the duet otherwise known as the Girls in The Magnesium Dress).

If ever there is such a thing as an eclectic double-bass player then it is Ms Ciardelli; she is a superb performer, extracting every type of timbre and nuance from a very exacting instrument, a brilliant and clever arranger and a highly talented composer. Most of all Valentina is doing for the double bass the kind of job that James Galway did for the flute, nurturing people’s increasing appreciation for the double bass. Having such astounding team members like Teani and Quiroga does help…

 

 

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(PS I have to add that the left hand of the management at this particular festival item didn’t know what the right hand was doing. Evidently, a pass was required for entry to the concert, although this was not clearly specified. A rather officious young man at the entrance let us in on the basis that I had written an article on the festival in ‘Grapevine’, the Lucca area English magazine. However, we found out when we’d returned home that there were two persons, arriving a little later than us, who were excluded from enjoying the concert because they didn’t have a pass. One was the editor of ‘Grapevine’; the other was her daughter, a professional harpist of some distinction. I thought this was quite unacceptable.)

Lucca’s Double-Bass Bonanza

LUCCA’S “BASS 2018”

The ‘concerto’ (which in Italian also means ’concert’) came fully into its own in the eighteenth century with the likes of Vivaldi and the Lucchese Geminiani. Concerti were written from the piccolo to the newly invented clarinet and from the bassoon to the viola d’amore and many featured instrumental combinations. However, the harpsichord and the double-bass were neglected as concerto soloists and were classified as accompanying or ‘continuo’ instruments.

It wasn’t until the invention of the piano that concerti began to written for keyboard instruments and from the nineteenth century onward the piano, and the violin, of course, have been the main concerto instruments we love to hear.

How many of us, however, have flocked to hear a double bass concerto? Certainly the double bass has entered into the jazz repertoire, although its strings there are largely plucked rather than bowed, but what about classical and cross-over music? Ever heard of Dragonetti, Sperger or Bottesini?

Luckily you’ll now get the chance of hearing and becoming a fan of the double bass since, from July 30th to August 5th, Lucca is hosting the sixth ‘Bass2018’, the biennial international double bass festival bringing together musicians, instrument makers, composers and publisher thanks to Lucca’s ‘Boccherini’ conservatoire, the City and Province of Lucca and Cassa di Risparmio Foundation. Events take place in the Palazzo Ducale, Teatro Del Giglio and the Boccherini conservatoire with concerts, master classes, competition and conferences.

Of special interest will be the award for women composer of music for double bass, in collaboration with the Adkins Chiti – Women in Music – Foundation.

The festival’s artistic directors are Gabriele Ragghianti and Alberto Bocini.

Incidentally, this year I attended a concert featuring the double bass in London’s lovely Queen’s house in Greenwich. Performers were harpist Anna Quiroga and double bassist Valentina Ciardelli (also known as ‘Zappawoman’ because of her brilliant arrangements of Frank Zappa’s music) who graduated with the highest honours from Lucca’s own ‘Boccherini’ conservatoire.

Valentina Ciardelli, Anna Quiroga and Stefano Teani will play Zappa, Rossini, Stravinsky, Ciardelli and Puccini in the Saletta Rossa of Lucca’s Istituto Musicale Boccherini on August 3rd at 4.30 PM.”

More information about the festival is available at the excellent web site at

https://2018.basscongress.eu/

There is even a  double concerto for the double-bass by the famous cartoonist E. Hoffnung:

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And the double-bass remains one of the most versatile of instruments to drown one’s sorrows even if you can’t play one…

 

 

 

 

 

 

 

 

 

 

 

 

Lucca: Italy’s Protestant Haven.

It’s not often realised that the supposedly historically clear-cut distinction between a Protestant northern Europe and a Roman Catholic southern Europe is not that clear-cut at all. For example, in Britain, Roman Catholic families, known as recusants, have never abjured their original faith since the great split the reformation created in the Christian faith.

Indeed, some of these families have retained high positions among the English nobility to this day; for example, the Duke of Norfolk, the first duke of the peerage, is the Queen’s (who is also head of the Church of England) second cousin. His main seat is at Arundel castle, Sussex.

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Arundel also possesses one of Europe’s finest Roman Catholic cathedrals.

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In Southern Europe, conversely, many Roman Catholic communities renounced Papist doctrine to form their own protestant sects. Indeed, the first signs of Protestantism were felt as far back as the 12th century with the Waldensians.

The Waldensians take their name from a merchant from Lyons called Valdo, who around the year 1170 sold his assets and began to preach the Gospel to his fellow citizens with the idea of renewing the church. The Catholic hierarchy reacted by excommunicating him. (Later Saint Francis of Assisi decided to follow the same life of poverty, but the Roman Catholic Church acted rather differently and accepted his order of friars).

The followers of Valdo continued their preaching despite being excommunicated, forming small communities forced, because of constant repression, to lead a clandestine existence. Their faith was inspired by the Sermon on the Mount and its fundamental tenets: the rejection of violence, the Roman Catholic oath of allegiance to the Pope, and the association of the church with political power.

Despite violent persecutions and the ruthless work of the Inquisition, the Waldensians kept their faith throughout the middle Ages. The areas where they largely settled were the Western Alps, Provence, Calabria and southern Germany.

Thus, both recusants in northern Europe and Protestants in southern Europe regrettably had their fair share of martyrs and for centuries had to practise their faith behind closed doors – hence the number of priests’ holes found in aristocratic English country homes and the secret locations of protestant sects in Italy.

Coughton Court, a National Trust property in England and home of the recusant family of the Throckmortons, has a whole secret section where Holy Mass could be celebrated:

Milton, during his visit to Italy in 1638, was fully aware of the situation and heard of the terrible massacre of the Valdensians by the troops of Charles Emmanuel II, Duke of Savoy in Piedmont  in April 1655,

As a result Milton wrote one of his finest and, certainly, most angry sonnets: “On the Late Massacre in Piedmont”.

Avenge, O Lord, thy slaughtered saints, whose bones
Lie scattered on the Alpine mountains cold,
Even them who kept thy truth so pure of old,
When all our fathers worshiped stocks and stones;
Forget not: in thy book record their groans
Who were thy sheep and in their ancient fold
Slain by the bloody Piedmontese that rolled
Mother with infant down the rocks. Their moans
The vales redoubled to the hills, and they
To Heaven. Their martyred blood and ashes sow
O’er all th’ Italian fields where still doth sway
The triple tyrant; that from these may grow
A hundredfold, who having learnt thy way
Early may fly the Babylonian woe.

Lucca played an important part in preserving emerging protestant and, especially, evangelical ideas. Indeed, it welcomed the Waldensians as it welcomed Protestantism.

Thanks to enlightened rulers and to the establishment of a press which printed one of the first bibles in the Italian language and thanks also to the mountainous area of the Garfagnana surrounding the city to the north, Lucca has historically been more generous to those of evangelical faith than most other areas of Italy. Even here, however, papist power used to make life for Protestants in Lucca almost impossible.

The Diodati were a noble family and had the Orsetti palace built for them by the great Luccan sculptor and architect Nicolao Civitali. However, despite the fact that, in the Republic of Lucca, the Protestant reform saw the adherence of a considerable number of citizens, including members of the aristocratic ruling class, the Diodati were forced to leave for Geneva because of their belief in the Protestant Reformation. (The palace is now seat of Lucca’s mayor, Alessandro Tambellini, who kindly showed us round this magnificent building – see my post about this at https://longoio2.wordpress.com/2017/03/28/a-meeting-with-the-mayor-of-lucca/)

The reason for the Diodati’s exile was that the Pope, suspecting what was happening in the Republic, began to exert diplomatic pressure on the government of Lucca. Lucca always rejected the Inquisition and the Jesuits, but fearing that the Pope and his army might invade Lucca, many distinguished Protestant Lucchese left the Republic. Fortunately none suffered physical violence but, rather, were helped by exiled Lucchesi.

Exiles included Michele Burlamacchi (1532-1590), Benedetto Calandrini, Pompeo Diodati, Michele Burlamacchi and his wife Chiara Calandrini, Teodoro Diodati (1573-1650) who studied medicine in Leiden, and moved to England, where he became a member of the Royal College of Physicians in 1616. Among Teodoro’s patients was Prince Henry, the heir to the British throne and a brilliant young man.

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Prince Henry lived at Charlton House in the borough of Greenwich, London with his tutor Adam Newton but sadly died of typhoid fever aged only 18, a real tragedy for the nation.

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It’s thus that his younger, less intelligent brother Charles became heir to the throne (and I think we all know what happened to him….).

Another Lucchese, Giovanni Diodati (1576-1649), became a Protestant theologian, professor of linguistics, and the translator of the Bible in Italian and French. Giovanni’s translation of the Bible in Italian stands comparison with England’s own King James Version in the beauty of its language and that fact that it is still used in church services today. Indeed, only four years separate the Italian translation (1607) from the English one (1611).

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We were privileged to meet a great evangelical leader and scholar, former pastor of the Waldensian church in Lucca, Domenico  Maselli , at a conference he participated in on that powerful mediaeval countess, Matilda, the lady who ordered the building of our famous devil’s bridge. (See  https://longoio2.wordpress.com/2015/11/15/borgo-a-mozzanos-matilde/ for more on this and  Maselli who regretfully died the following year).

In Lucca’s via Galli-Tassi there’s an evangelical Valdensian church with a very active congregation. A friend, who also directs a choir I sing in, is organist at this church.

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There also used to be substantial numbers of Waldensians in the hills above Barga, especially at Piastroso and Renaio. They were protected by an old edict which stated that anyone living above 700 metres was free to practice whatever faith they wished.

Today, the mountain congregations have all but disappeared through emigration but every year, in July, the Waldensian evangelical community elsewhere meet up at the local inn in Renaio, called’ Il Mostrico’, for an ‘al fresco’ lunch, a prayer meeting and a talk about their community.

I turned up, by chance, towards the end of this year’s Renaio gathering and was impressed by the welcome I received and the beauty of the spot.

In the nearby school there was an exhibition of photographs depicting aspects of the group. How much history, how many ‘mute inglorious Miltons’ must there be in these evocative photographs!

The principal message of the Waldensian sectors is the oft stated but all too often disregarded one that ‘God is Love.’

It’s both an easy and a difficult message to follow. Words like ‘tolerance’, ‘forgiveness’, ‘apology’, all too often remain in one’s mind rather than in one’s actions.

I felt that both the Old Catholic recusants of England and Italy’s Waldensians must have survived to this day principally because they had the strength to forgive those who perpetrated the terrible persecutions they suffered in the past and because they were able to apologise for the persecutors before God himself.

I wish we all had the same power to forgive and forget. It would make the world such a better place!

A Cluster of New Sounds in Lucca

To slightly misquote that great British conductor, Sir Thomas Beecham, I may not understand much about contemporary music but I like the sound a lot of it makes.

When one thinks of Lucca and music Puccini clearly comes to the forefront: Giacomo Puccini Jr. that is, since the composer of three of the ten most frequently performed operas in the world came at the end of a long line of musicians like many other composers: J. S. Bach, for example.

In his life-time Puccini was considered avant-garde, particularly in the use of whole-tone scales (‘Madama Butterfly’), exotic orchestration (‘Turandot’) and clashing dissonances ‘(La Fanciulla’, ‘Tosca’) and also in his musical structures. Puccini must, indeed, have sounded a very progressive composer when first heard and still does today if one listens to him with fresh ears. Among Puccini’s admirers for example was Anton Webern.

Today Lucca continues to preserve its open-minded approach to modern music, particularly through ‘Cluster’, its association for contemporary composers. Cluster’s president and founder member is Francesco Cipriano, also a fine composer, brilliant pianist and editor of the on-line review of music events in Lucca province ‘Luccamusica’ of which I curate the English version – See http://www.luccamusica.it/language/en/).

Cluster also has its facebook page at https://www.facebook.com/CLUSTERcomposers/ .

There was a time when current music seemed to me to be largely of the ‘crash, bang, wallop’ variety. (I mention no composers’ names in this regard). Happily, in today’s scene, anything goes so long, of course, as it is well-crafted and genuinely meant. Sonority is the name of the game and the sound of music can range from sparse minimalism to lush romanticism.

Today, there’s no such thing as an old-fashioned modern composer as such greats as Vaughan-Williams and Finzi used to be called in their time. If one feels like writing a hummable melody that’s fine. Reminiscences of past composers may be collaged, the variety of instrumental combinations knows no limits, and melodic forms create ever new varieties. It’s important to realise that music, like any other art does not progress in the way say astro-physics does. Music creates new knowledge of organised sounds by a sort of ever-changing fruition borne of the landscape in which its seeds are planted. Musical creation is like a garden where great compositions are born from careful pruning and grafting of existing varieties of plants to create new species.

The amazing varieties of contemporary music are nowhere better seen that in the series of ‘Cluster’ concerts which I’ve already listed in my post at https://longoio3.com/2018/04/13/luccas-new-cluster-music-season/

I recently attended this Cluster concert by the Aurora Ensemble:

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As a picture can describe an infinitesimal number of words I will spare you the ‘Hans Killer’ (remember ‘Private Eye?)  approach to wordless functional analysis of the music I heard and just recommend you to attend any other of the Cluster concerts when in Lucca and let your ears enter into the often astounding sonorities of contemporary music.

To take one example of how appealing music written in our time I’ll post an excerpt of Francesco Cipriano’s composition called ‘waterfalls’.  Over an ostinato, descriptive of the flow of water and also with an alusion to Chopin’s ‘Revolutionary study op10.2), arpeggiando cascades begin to descend in brilliant, almost canonic-like, sequences. Then it appears to me that the music focuses on what in my mind’s eye is a description of a tropical pool such as we have come across in Saint Lucia where the turbulent falls resolve themselves into a jungle-shaded tranquillity, not without a hint of a samba rhythm,  where the lianas are filled with mysterious species.

Anyway chacun a son gout; but there are so many musical tastes to savour in a relatively small city like Lucca that one is truly spoilt for choice!

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(Participants and sponsors in the concert I attended. Maestro Cipriano is third from the right)

 

 

 

 

Our Lucca Marathon for 2018

The ‘Marcia delle Ville’ is our nearest equivalent to the London Marathon. It’s a marcia podistica, which means that you can either walk or run or do a little of both. (‘Podismo’ means the discipline of race walking and running). The only differences are that there was a competitive and non-competitive section (this meant that anyone could join in from the ages of 8 to over 80), that there was a choice of routes depending upon one’s fitness and inclination and that the idyllic rural landscape we were going through was rather different from the built-up landscape of London.

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(Possible routes: we opted for the 16 – so-called! – kilometre route)

In fact, the Marcia delle Ville is older than the London Marathon, having started in 1977, while the first London Marathon took place in 1981. It’s organised by the comune di Marlia together with the local club podistico and has grown from strength to strength over the years. It’s truly one of Italy’s largest and most popular family sporting events.

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‘La Marcia delle Ville’ is a lovely occasion to immerse oneself in a completely Italian social atmosphere. My friend from the same school of Dulwich college first invited me for the Marcia, having been enthralled by it on a previous occasion. He said that we would probably be the only brits taking part on it and, indeed, we only heard Italian spoken by those taking part although this year we heard a couple of English voices. Was it any of you from BDL?

La Marcia delle Ville is also a wonderful chance to walk through the exquisite gardens of villas of the Luccan nobility which are normally closed to the public, to wander across succulent vineyards and silver olive groves, to pass by isolated Romanesque chapels, to gaze on colourful wild flowers, to witness some of the most stratospheric views of Lucca, to enjoy the social fun of a largely non-competitive event and to witness Italian gregariousness at its very best.

(Romanesque church and a time warp with concert at the grand Villa Guinigi)

I did this most convivial and spectacular walk last time in 2016. My wife spotted the marathon for this year in a leaflet (she is brilliant at finding out about things) and, at first, I was doubtful because of our lack of fitness that we would be able to achieve more than the ‘baby walk’. In fact, it turned out that we managed the sixteen kilometre one (which I’m sure measured rather more than sixteen…..) and were so glad we did it because it assured us that our degree of fitness was still up to it! Apart from the kilometres we both managed to lose some kilos as well which was truly welcome!

There is, of course, the final point that la Marcia truly gives one even more yearning to do a decent, daily walk of not less than two hours. Most of people’s health troubles arise from lack of proper exercise and there’s nothing better than walking, especially if the countryside is as glorious as the Luccan hills.

The weather treated us well. Unlike 2016, when the participants were threatened by storm clouds which eventually resolved themselves in a hail shower, this year we had comfortably overcast skies, mostly dried out paths and it was only towards our triumphal finish that the temperature rose to 30 degrees centigrade.

Our itinerary took us through gravelled paths, some tarmac, some very stony mule-tracks, slippery grass stretches and, of course, the lovely paths of the Luccan villa gardens.

There were free refreshment points (water, panunto bread soaked in olive oil, lemon tea, loads of nutella) and even some first aid which was useful for me as an unknown insect bite had turned my left arm red.

I was particularly excited to see the villa called La Specola, which is an observatory  built for the rulers of Lucca and designed by that great architect Nottolini. It’s such an attractive building and saved in the 1980’s from total dereliction by a baron with some cash to spend…. I wish!

(Framed! But the wine butt had already been depleted)

We returned to the starting point at Marlia’s farmers’ market where we’d got our participant numbers and walked triumphantly through the finishing line. We then collected our complementary gifts. Since the Marcia delle Ville is sponsored by a paper mill producing toilet paper, our gift bag included four very fine rolls of … toilet paper. (What else? – actually when we unwrapped it we found it was equally useful kitchen roll).

We went to be fed and watered with everything from water to wine to bruschetta to pasta. The scene was most breezy and it was lovely to see thousands of Italians of all ages having a really good time. There’s a special word to describe country walks and country enjoyments in Italian. It’s ‘scampagnata’ which means a day’s jaunt into the countryside.

Everyone had a great ‘scampagnata’ it seems! We even met the lady Doctor-in-charge of Bagni di Lucca terme who’d entered the marathon for the first time.

It’s wonderful how on a local level there’s nothing to beat an event organised by Italians. Why the government can’t learn from its people how to really do things well is something I shall never understand (there still isn’t a government in Italy yet….probably best that way, some people say).

For me the best thing was that both of us (aged seventy according to the calendar it seems, to our shock horror) were together to achieve this best of Lucca social sportive events. Thanks Sandra for being my wife and being with me and for being a truly sporty girl!

 

 

PS Noi TV  chronicled our marathon here:

 

 

Lucca’s Saint Zita Converts Flour to Flowers

What better idea to have a flower fair than on Saint Zita’s anniversary! Saint Zita is Lucca’s patroness saint and yesterday we spent a colourful afternoon in and around the city’s amphitheatre square – yes, it used to be Lucca’s former amphitheatre and that’s why it’s oval in shape – admiring the flowers and replacing those of our plants (including our kumquat) which had become martyrs to the dismal sun-less, rain-sodden winter-spring we’d experienced here until the other week.

In the great basilica of San Frediano the saint’s body had been hauled out of her side-chapel and placed on display in the main nave. St Zita’s followers bought some white flowers from a desk to the right, touching them against the glass containing her naturally mummified body and a verger gave us a commemorative immaginetta.

Santa Zita, patron saint of that increasingly rare species, the domestic servant (and, perhaps more usefully for most of us to be invoked for help in finding lost keys, thus avoiding that boring dialogue: “You’ve got the car keys”. “No, I haven’t!” “Yes you have.”  etc.) was a poor peasant girl born near Monsagrato (where there is a chapel dedicated to her, visited a few years back when it was being painstakingly restored) who was taken into employment by a rich family as a scullery maid? Through plain hard work she became principal housekeeper (St Zita believed that a hard graft rather than prayer was the way to produce results – which I would certainly not disagree with!) She was generous to the poor and needy and on one occasion was accused of having stolen bread to give to them. Zita was strip-searched but instead of the stolen goods they found beautiful flowers in her apron pockets (hence the appositeness of having that market fair on her day).

(Several photos by grateful acknowledgment to Alexandra)

 

Saint Zita’s flower market has been extended for two more days to create a ‘Ponte’ or bridge to Italy’s next big national Holiday, May 1st where the main street of Fornaci di Barga will be pedestrianized and blossoming with more flowers. The lovely weather we’re experiencing now must be a welcome reward for all those overcast and gloomy weeks we’ve had to endure….

So today and tomorrow you can still enjoy St Zita’s transformation of flour in flowers apart from having your first really welcome ice-cream of this glorious season!

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PS There are BIG happenings in Bagni di Lucca too. The schools and colleges theatre season opens with the biggest array of events ever – over ninety  in just five weeks plus a great venue in Villa Ada where a marquee has been set up for all sorts of exciting events including circus, acrobatics, music and lots more. Who wants to be anywhere else in the world now that spring is here!

 

Lucca’s New Cluster Music Season

Cluster’s Spring Season – Lucca’s contemporary music association with fifty six member composers – resumes its activities which every year includes two concert cycles: in spring and autumn.

For the spring concert cycle twelve afternoon events have been programmed for each weekend starting from April 21st until the end of May. All are devoted to contemporary music with dozens of compositions, written mainly by Cluster members, which will be receiving their first performances.

 

AURORA ENSEMBLE

On Saturday, April 21st at 7 pm, in the S. Giuseppe Oratory, opening concert by the Aurora Ensemble with Jessica Gabriele, flute; Sara Rozzi, guitar; Ilaria Cavalca, piano. The concert is organized in collaboration with SIMC, the Italian Society of Contemporary Music.

The program includes music by S. Bianchera, G. Bosco, F. Cipriano, P. Longo, S. Rapezzi, B. Rettagliati, and A. Talmelli.

Free admission

 

MEETING WITH ANDREA TALMELLI

On Sunday 22nd April, at 5.00 pm, there’s a meeting with Andrea Talmelli, President of SIMC (Italian Society of Contemporary Music), at the Auditorium of the Banca Del Monte Di Lucca Foundation. Presenter is Renzo Cresti. This will be followed by a concert with Fernando De Cesario and Giacomo Balli with music for clarinet and electronics. The programme includes pieces by S. Chelotti, R. Presley, A. Gatti, B. Putignano and D. Venturi

 

PRESENTATION OF BOOK ON MUSIC IN FLORENCE IN THE SECOND HALF OF THE TWENTIETH CENTURY

On Friday, April 27th, at 6 pm, at the caffè letterario Luccalibri, there’s the presentation of Firenze e la musica italiana del secondo Novecento. This is a book on Florence and Italian music in the second half of the twentieth century. It’s published by LoGisma and edited by Eleonora Negri and Renzo Cresti. Gherardo Lazzeri, the publisher, will participate.

Free admission

 

LA SPEZIA CONSERVATORY ENSEMBLE

On Saturday 28th April, at 5.00 pm, a concert by the LabMusCont ensemble of La Spezia’s Puccini Conservatoire will be held in the Oratorio S. Giuseppe of Lucca Cathedral.

Laura Basteri, Riccardo Lippi flutes

Francesco Genovesi, Carlo Benvenuti cello

Matteo Bogazzi, Marco Longo piano

The programme includes music by George Crumb, Matteo Bogazzi, Andrea Nicoli, Marco Simoni and Stefano Teani

The concert will be preceded by the presentation of the new Andrea Nicoli CD, Verso tracce di blu.

Free admission

 

SYMPHONY SCHOOL SMS ORCHESTRA CONDUCTED BY STEFANO GIANNOTTI

On Sunday 29th April, at 5 pm, a concert by the SMS Orchestra of the Scuola Sinfonia conducted by Stefano Giannotti will be held in the Auditorium of the Banca del Monte di Lucca Foundation.

Free admission

 

PREMIERE OF TWO CHAMBER OPERAS BY CLUSTER MEMBERS

Saturday 5th May at 5 pm, in the San Girolamo theatre, (in collaboration with Lucca Classica Festival) the first performance of two chamber operas will be held. They were created last July during the “Giacomo Puccini” International Course of Italian opera” organized by Cluster.

 

S’è desta? (Allegory for soprano, piano and fixed media)

Music and libretto by Stefano Teani

 

Mia è la colpa? (minimodramma for soprano and piano)

Music by Andrea Bendetti

Libretto by Claudio D’Antonio

 

Maria Elena Romanazzi, soprano

Stefano Teani, piano

Cataldo Russo, director

 

CARLO FAILLI CONDUCTS THE PITHECANTHROPUS CLARINET ENSEMBLE

On Saturday 12th May, at 5 pm, a concert by the Pithecanthropus Clarinet Ensemble of Livorno, conducted by Carlo Failli, will be held in the Auditorium of the Fondazione Banca del Monte di Lucca.

The program includes pieces for the ensemble by Gottardo, De Sanctis De Benedictis, Schickele and transcriptions / elaborations from Mingus by Diego Carraresi.

Before the concert there will be a presentation of the new Hóros CD by Paolo Cavallone

Free admission

 

PREMIERES BY YOUNG CLUSTER COMPOSERS

On Sunday 13th May, at 5 pm, the concert titled “CLUSTER GIOVANI” will take place in the Auditorium of the Banca del Monte Foundation of Lucca. It features premieres of compositions commissioned by Cluster member Stefano Teani for new entrants to the association.

There are also premieres of pieces by young Cluster composers Michele Barsotti, Francesco D’Agostino, Dario Ferrante, Davide Martiello, Lorenzo Petrizzo, Stefano Teani and Matteo Tundo.

The concert will be preceded by a presentation of the new CD by Andrea Nesti, Atto d’abiura (graphics by Maurizio Della Nave). The actor Gionni Voltan will participate.

Free admission

 

MASTER CLASS FOR MODERN ACCORDION WITH FRANCESCO GESUALDI

Saturday May 19th, from 4 pm to 7 pm, in the San Colombano barracks of the City Walls of Lucca, a Masters course in composition for modern accordion will be held by Francesco Gesualdi.

 

BRUNINI-ATZORI GUITAR DUO AT THE SCUOLA FUORICENTRO

On Sunday, May 20th, at 5 pm, in the concert hall of the Fuoricentro School there’s a concert by the Brunini-Atzori guitar duo.

The program includes pieces by F. Caballero (Cluster Prize 2018), G. Deraco and A. Bellandi

Free admission

 

LICEO MUSICALE “A. PASSAGLIA” IN CONCERT

On Saturday 26th May, at 5 pm, a concert will be held in the Auditorium of the Banca del Monte di Lucca Foundation with students of the “A. Passaglia” music liceo (high school).

Free admission

 

SCUOLA JAM CONCERT

On Sunday 27th May, at 5.00 pm, a concert by students of the Scuola Jam will be held in the Auditorium of the Banca del Monte di Lucca Foundation.

Free admission

 

Sfera Ebbasta at Lucca Summer Festival

SFERA EBBASTA’S TOUR BEGINS

After the great success of his latest album “Rockstar”, already certified double platinum album by FIMI, “Sfera Ebbasta RockStar summer tour 2018”, by rapper Sfera Ebbasta, starts on 1 July in Piazza Napoleon at the Lucca Summer Festival, and then continues to other italian cities.

During the “Ebbasta Sfera – RockStar Summer tour” the rapper will perform all the songs from his new album “RockStar” (Universal / Def Jam), without forgetting his big successes to date, making him one of the most popular of the new generation of rap artists.

Thanks to a magnetic sound and charm that captivates from the start, Sfera Ebbasta, in this new live dimension, will amaze you with many surprises.

Advance bookings at TicketOne
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Northern Spirit Singers Come to Lucca

NORTHERN SPIRIT SINGERS IN LUCCA CATHEDRAL

The Northern Spirit Singers will offer Lucca a concert of great music, with sparkling and original arrangements. The choir is directed by Clare Lawrence-Wills.

On Wednesday 4 April at 9.15 pm the choir will perform in the Cathedral of San Martino in a free concert. It’s a project started in September 2000 with the collaboration of graduate singers in Durham and teachers from other regions of England and the musical direction of Andy King. For the past eighteen years, Northern Spirit Singers have performed in the Netherlands, Spain, Belgium, Greece, Slovenia and Croatia. In Italy the choir in 2011 received many awards in the International Choral Competition – Venezia in Musica.

In London, the group participated in the international competition for a cappella choirs and in 2014 were nominated ‘Adult Choir of the Year’ by the BBC.

The singers will perform polyphonic arrangements of pieces by Monteverdi, Hogan and other items like ‘Leonardo Dreams of His Flying Machine’ (Whitacre).

The concert is organised by “OneStage Concert Tours”, English music tour operator active in the field for more than fifteen years and based in London, in collaboration with the Diocese of Lucca and the Cathedral of San Martino.

Concert programme.

Cantate Domino – Monteverdi
Vos Omnes – Gesualdo
Regina Caeli – Palestrina
Hail Gladdening Light – Wood
Lux Aeterna – Elgar arr. Cameron
Magnum Mysterium – Lauridsen
Unicornis Captivator – Gjeilo
Irish Blessing -arr. J. Moore
The Road Home – Paulus
I can Tell the World – Hogan
Michelangelo’s On Beauty – Knecht
Leonardo Dreams of his Flying Machine

Norah Jones and Marcus Miller at Lucca Summer Festival

Lucca Summer Festival announces a big double bill for the evening of July 26 with Norah Jones and Marcus Miller.

Norah Jones, one of the most influential American pop jazz singers, winner of several Grammy Awards, returns to Lucca after six years for her third appearance at the Festival. During the new tour the songwriter will play songs from her latest album ‘Day Breaks’ and items from her repertoire accompanied by exceptional musicians like Brian Blade on drums and Chris Thomas on bass.

Marcus Miller has developed a strong relationship with Lucca Summer Festival, where he was also protagonist in an extraordinary jam session with Pino Daniele in 2013, and, therefore, could not return to present his new album ‘Laid Black’, out this spring.
Miles Davis’ bass player opens the evening accompanied by a band formed by the best young talents of the international jazz-funky scene.

Ticket sales at http://www.ticketone.it

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