From Dinosaurs to Deconstructivism


We started our first full day in New York by changing rooms at Westside YMCA. The new room was slightly better—still a bunk setup, but more practical and easier to manage. Nothing special, just an improvement on what we had before.
We were hungry, so we went out for breakfast and explored the area around where we were staying. We walked to the end of the street (Sesame Street), and ended up near Lincoln Center. This is the main performing arts complex in that part of Manhattan, home to opera, ballet, and concert venues. I had visited it years ago, (in 1970 to be precise!) so it was interesting to see it again. When I first visited the centre it had only recently been opened; I found it had weathered well.


For breakfast, we went to Breads Bakery. We had coffee and pastries, including buns , bagels and other baked items. It was a simple but very good breakfast with excellent cappuccino and a solid start for us to the day.


After that, we headed toward our main plan, which was to visit the Museum of Natural History. We crossed 8th Avenue and entered Central Park. The walk through the park was very pleasant. The weather was slightly overcast but comfortable for walking. We followed paths through the park, passed the lake area with statues and sculptures, and continued across to the west side. It was refreshing to find how central this park is to so many NY inhabitants out with their dogs and children or just feeling romantic. A lovely place indeed.


We reached the American Museum of Natural History. It is a very large museum with extensive collections. One of the most striking parts was the dinosaur halls, with an extraordinary collection of skeletons—larger and more complete than anything we had seen before. The scale and preservation were genuinely impressive.
The most memorable exhibit was a reconstruction of a gigantic long-necked dinosaur, a titanosaur (often referred to as Titanosaurus in popular descriptions). It was presented at full scale, stretching through the hall, and gave a powerful sense of just how enormous these creatures were. It was astonishing to see something of that size reconstructed so convincingly in an indoor space.


Alongside the wonder, there is also a more reflective feeling running through the museum. The dioramas and reconstructions are extremely detailed and educational, but they also raise a quiet sense of distance from living nature—these are preserved worlds, not living ones. It leads naturally to the thought that we hope future generations will still be able to experience real wildlife in real environments, especially as so many species today are threatened or endangered.
The museum also includes displays connected to Theodore Roosevelt and his role in conservation, linking him to the broader history of environmental protection in the United States.


After finishing there, we crossed Central Park again with the intention of visiting the Met, but it turned out to be closed.

So we changed plans and went instead to the Solomon R. Guggenheim Museum, which is nearby.
The Guggenheim is architecturally very distinctive, designed by Frank Lloyd Wright. The building is organised as a continuous spiral ramp, so you move through it in a single flowing descent (or ascent depending on entry), rather than through separate rooms and floors. It can feel slightly disorienting at times, especially after a long day of walking, but it is also very precisely controlled in its design.


There was a temporary exhibition of contemporary sculpture by Carol Bove. The works drew on industrial materials and plastic-like forms and often appeared spontaneous or improvised, but they are clearly carefully engineered and constructed. Some of it was difficult for us to engage with directly, though it felt like the kind of work that is meant to be challenging rather than immediately accessible.


The highlight of the Guggenheim was the permanent collection. It included works by Kandinsky, German Expressionists such as Franz Marc, Russian constructivists, and also Impressionist paintings including Monet and early Picasso. These wonderful testimonies of late nineteenth and early twentieth paintings more than made up for the difficulty we had in appreciating the post-modern sculpture exhibition.

Taken together, this collection gave a clear sense of the movement from figurative painting toward abstraction in modern art.


After leaving the Guggenheim, we made our way back toward Columbus Circle passing some extraordinary architecture.

We stopped at Whole Foods Market, which we found to be a lively and temptingly filled superstore, and bought basic food items—yoghurt, bread, coleslaw, and other simple things for dinner. We enjoyed seeing an Italian car we once owned turned into a a gelato stall


We then returned to the West Side YMCA and had a simple meal in our room.
That was the end of the day: a long walk through Central Park, an extraordinary encounter with dinosaurs and deep time at the Natural History Museum, two very different modern art experiences, and a return to something simple and domestic after a very full first day in the city.

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