What more wonderful way to spend a rainy Sunday afternoon than at Pisa’s Teatro Verdi matinée of Vivaldi’s miraculous oratorio ‘Juditha Triumphans’ in a beautiful staged performance directed by Carlo Ipata and his Auser musici.
I was amazed at the composer’s virtuoso use not only of the human voice but at his multifaceted instrumentation which included a Lombard mandolin, a seductive viola d’amore and a ravishing chalumeau.
(In my opinion more bullied women should behead their tyrants just like Judith did with Holofernes!).
Strange how opera performances go these days. ‘Juditha Triumphans’ as an oratorio was never staged in its time. The audience were even unable to see the virgin singers as the virtuoso orphans were kept behind nun-like grills in the chapel where the red priest was music-master.
Today, however,Juditha is frequently theatrically staged with its dramatically bloody story. At the same time friends in London had to witness a Handel opera as a concert performance from a church pew…
Ps Our seats were equally dramatic in the loggione: five stories up with a perpendicular drop to curdle the veins but visually very good
Here too we were able to enjoy the great tenor Titta Ruffo’s collection of the costumes he wore for his performances, also displayed around the loggione.