We’ve Upsized!

Hi, we’ve upsized! Not only that, but we’ve met lots of new friends just like us, and also three nice turtles that are real fun to be with.

It’s lovely to get so much more space in our lives. It was ok to stay with Francis and Sandra but we just got bigger and bigger and the fish tank always remained the same size.

We’re always glad to meet up with our old owners and we can assure Francis and Sandra that we miss them. For us, however, it’s rather like moving from a bed-sit to a huge palace. We just got too big for our fish tank. We are certainly no longer small fry now! Our weight on the scales must have increased a hundred times by hook or by crook.

We are being cared for as well as ever and a nice girl gives us lots of food every day. She is very efficient and we certainly don’t have to fish for compliments from her.

If you miss us don’t forget that there are plenty more fish in the sea and that no good fish goes anywhere without a porpoise!
Oh, by the way we wrote this message to you last fish Friday.
Enough for now. If there’s any fishy business going on here we’ll certainly let you know.

All the fishiest of best wishes and thank Francis, especially, and piscean Sandra for having been our nurse-sharks and looking after us in such a fin way.

Tira and Molla

Ps don’t forget….our bubbles are better than our bait, especially on a finny day like today. Also, you may miss us from time to time but please don’t carp on sad thoughts…you’ve been pure gold to us!

Bagni di Lucca’s New Concert Hall Presents a Stunning Debut

The Villa Bonvisi in the old part of Bagni di Lucca is a grand building, and is also known as the Villa Webb, since it was sold to the rich Scottish banker, one of whose guests was Lord Byron. Other visitors included James III, otherwise known as the ‘Old Pretender’, whose son was Bonnie Prince Charles.

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Last Wednesday we too became guests of this noble mansion which has seen so much history. Indeed, more history was made by the solo harpsichord debut of Tommaso Nicoli, barely out of his teens, now perfecting his studies at La Spezia conservatoire and by all accounts, well on the way to becoming one of the most promising of Italy’s new generation of period-music and baroque keyboard players.

Like several historical instances Tommaso comes from a family with a musical background and, like those instances, he has become one of the most talented of them. If his father was a ‘Leopold’ then, clearly he is a ‘Wolfgang’. I was glad to note that Eliseo Sandretti, one of his earlier teachers was there. Eliseo, too, has a musical background, his father having been organist at Valdottavo. Eliseo was performer at the inauguration of the newly-restored Ravani organ at Borgo a Mozzano on which I have written a post at

https://longoio3.com/2018/06/20/borgo-a-mozzanos-magnificent-organ-sings-again/

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The expansive hall of Villa Bonvisi was very well-filled. Last year young Nicoli collaborated in a duet concert so this year was truly his solo ‘esordio’ in Bagni di Lucca.

This was the programme:

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The preponderance of French baroque music clearly shows the performer’s love of this music. Having been acquainted with Tommaso Nicoli since he was a tear-away kid of seven I was glad that the recordings I made for him of Forqueray, Rameau et al. had clearly remained with him.

Nicoli already has an idiomatic feel for the French 18th century use of ‘notes inegales’ (i.e. the  performance practice, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short, or sometimes conversely giving a Scottish ‘snap’.)

Nicoli’s use of ornamentation was also quite prodigious, especially since this is the only way a note can be sustained for any length of time on the plucked instrument.

The Bach prelude and fugue from book one of the well-tempered clavier started, surprisingly for me, with the dampened timbre of lute-stopped strings which then were released in the final fast flourish. (I would, honestly, have preferred to keep the same resonance throughout the whole piece.)

Pacing and timing were very well-though out on the whole, though I am used to some pieces played at a slower tempo.

I was particularly pleased with the Domenico Scarlatti sonata which stands a not unfair comparison with Gilbert Rowland’s rendering. (See my post on that concert at

Heavenly Harpsichord Ripples

I think, however, that repeats should have been included. The cross-handing was pretty good..

I and my guest (who knows a thing or two about music) were rather pleased with the harpsichord’s timbre, (tuned to baroque temperament so you may have to get used to some of the note intervals) which was mellower without the clanginess that some instruments suffer from.

Tommaso Nicoli presented himself very well. He gave a concise and clear introduction of the concert pieces to an audience who was largely not well-acquainted with baroque keyboard music; his Indian muslin white attire was elegant and  well-suited to our muggy summer evenings.

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The whole concert was professionally recorded but I took the chance to capture a few snippets myself.

Let my snippets of Tommaso Nicoli’s performance speak for themselves. I think you may be well astounded….

Don’t you agree that the march of the Scythians is definately Tommaso Nicoli’s pièce de resistance?

All Dressed Up With Everywhere to Go

There is so much happening in Lucchesia’s summer that it’s difficult to keep up with it all. Not only that, it’s often difficult to find the information until someone tells you ‘wow that was a fab show I went to at blabla’

So what can you to do to keep up with the immense plethora of events in our part of the world?

  1. Take a picture of every poster you find advertising an event.
  2. Visit Bagni di Lucca’s helpful tourist office at regular intervals.
  3. Google for events in the area.
  4. Chat to people about what’s happening.
  5. Decide what you’re really interested in.

There are three main categories of events

  1. Foody ones – sagre, feste etc.
  2. Arty ones – concerts, theatre, shows, palii etc.
  3. Sporty ones – marathons, swimming pools, car rallies etc.

Because the weather is still so lovely, not too brazenly hot and often with a gentle zephyr, there is no excuse for sitting at home meditating on what to do. The world, or at least, the Lucchesia is your oyster! (Which reminds me go to Marina di Pisa for some great ones – oysters I mean!)

Here’s a start….I have already decided on the reopening of Bagni di Lucca swimming pool after extensive refurbishing and the concerts at Villa Bonvisi.

I have also decided to publish all the events I can find in our area on an ongoing way in my facebook page at

https://www.facebook.com/fpettitt

This is to avoid clogging up my blog with too many posts.

 

The Greatest Show in the Lucchesia!

The Italian word “Palio” can be applied to many different events. The most common use of the word is in the “Palio of Siena”, the famous horse race which takes place in the central fantailed and sloping square of this city between the various contrade or districts (all seventeen of them) at different times.

The element of competition between a town’s districts enters into the majority of palii, of which there are at least fifty-four listed in Italy (seventeen in Tuscany alone.

The Palio di San Jacopo, Gallicano’s patron saint, always occurs on 25th July every year. This extraordinary event, where allegorical floats are preceded by fantastically costumed participants enacting complex choreographies, has been going since 1972 and, apart from a few instances when it was cancelled, has been growing from strength to strength. This year the Palio is, as usual, exceptionally fabulous and anyone who misses it truly misses a great deal.

I’ve written various posts on the Palio.

https://longoio2.wordpress.com/2014/07/20/we-are-such-stuff-as-dreams-are-made-of/

https://longoio2.wordpress.com/2016/07/28/superlative-spectacle-at-gallicanos-palio-di-san-jacopo/

Like other Italian palii there is a competition between various rioni to compete for the prize. Gallicano has three rioni today (there used to be four). They are Borgo Antico, Monticello and Bufali.

Each year a new theme is given to the three rioni. This year it was ‘La differenza’.

Rione Borgo Antico presented ‘Libera – mente’ . It’s based on modern art. See if you recognize the allusion to Keith Haring’s great mural at Pisa. (There’s also Magritte, Dali and Rauchenberg among others.

Rione Bufali presented ‘Moon – la differenza tra gli atomi crea universi’. Here there are references to 1984 – especially when the date is 2084 and a Mr Smith involved.

Rione Monticello presented ‘Dipingo il mio sogno’. The setting is an ever transforming originally Parisian street corner.

Here are some pictures and movies of the evening of the 21st August: preparation and procession of allegorical floats at the 36th Palio di San Jacopo at Gallicano. It’s a marvel of imagination and choreography. Certainly for me it’s the most awesome festival of the Lucchesia!

What is so incredible is the wonderful creativity and imagination a small town like Gallicano in the middle of a remote valley can muster for its Palio. Everyone has a chance to contribute with their skills, no matter what age. For a whole year before the actual palio (and especially during the long winters) ideas are thrashed out, designs produced, costumes made. There’s sewing, cutting, pasting with every conceivable material available. Floats are meticulously built up and mechanized in a special warehouse dedicated to the palio. It’s a sort of mountain version of Viareggio but with a greater emphasis on spectacle and with universal world themes rather than sometimes heavy political satire.

The sheer love and resourcefulness put into the Gallicano palio is quite extraordinary and demonstrates fully the ability of Italians to get together, lay aside differences and produce something which I truly feel is of an international standard and equals some of the best shows of the world’s capital cities.

If you missed it on 21st August you must go to the second and final night today, July 25th.

Who won? I’ll let you know after tonight!

Meanwhile here are some movie snippets from a great evening:

https://www.youtube.com/edit?o=U&video_id=SE1shLFEgEI

 

 

https://www.youtube.com/edit?o=U&video_id=6p7OHC4Y0TU

 

 

 

 

 

Lucca’s Double-Bass Bonanza

LUCCA’S “BASS 2018”

The ‘concerto’ (which in Italian also means ’concert’) came fully into its own in the eighteenth century with the likes of Vivaldi and the Lucchese Geminiani. Concerti were written from the piccolo to the newly invented clarinet and from the bassoon to the viola d’amore and many featured instrumental combinations. However, the harpsichord and the double-bass were neglected as concerto soloists and were classified as accompanying or ‘continuo’ instruments.

It wasn’t until the invention of the piano that concerti began to written for keyboard instruments and from the nineteenth century onward the piano, and the violin, of course, have been the main concerto instruments we love to hear.

How many of us, however, have flocked to hear a double bass concerto? Certainly the double bass has entered into the jazz repertoire, although its strings there are largely plucked rather than bowed, but what about classical and cross-over music? Ever heard of Dragonetti, Sperger or Bottesini?

Luckily you’ll now get the chance of hearing and becoming a fan of the double bass since, from July 30th to August 5th, Lucca is hosting the sixth ‘Bass2018’, the biennial international double bass festival bringing together musicians, instrument makers, composers and publisher thanks to Lucca’s ‘Boccherini’ conservatoire, the City and Province of Lucca and Cassa di Risparmio Foundation. Events take place in the Palazzo Ducale, Teatro Del Giglio and the Boccherini conservatoire with concerts, master classes, competition and conferences.

Of special interest will be the award for women composer of music for double bass, in collaboration with the Adkins Chiti – Women in Music – Foundation.

The festival’s artistic directors are Gabriele Ragghianti and Alberto Bocini.

Incidentally, this year I attended a concert featuring the double bass in London’s lovely Queen’s house in Greenwich. Performers were harpist Anna Quiroga and double bassist Valentina Ciardelli (also known as ‘Zappawoman’ because of her brilliant arrangements of Frank Zappa’s music) who graduated with the highest honours from Lucca’s own ‘Boccherini’ conservatoire.

Valentina Ciardelli, Anna Quiroga and Stefano Teani will play Zappa, Rossini, Stravinsky, Ciardelli and Puccini in the Saletta Rossa of Lucca’s Istituto Musicale Boccherini on August 3rd at 4.30 PM.”

More information about the festival is available at the excellent web site at

https://2018.basscongress.eu/

There is even a  double concerto for the double-bass by the famous cartoonist E. Hoffnung:

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And the double-bass remains one of the most versatile of instruments to drown one’s sorrows even if you can’t play one…

 

 

 

 

 

 

 

 

 

 

 

 

Un Requiem per la City of London

Come passano gli impiegati della City di Londra la loro ora di pranzo? Certi fanno un ’liquid lunch’, cioè si dirigono verso un pub per consumarsi una pinta o due con un ploughman’s lunch (‘pranzo di contadino’) che consiste di pane, formaggio, insalata, qualche fetta di prosciutto, e sotto aceti.

Altri mangeranno i loro sandwich (che in Italia si chiamano tramezzini – non panini) in uno dei piccoli spazi verdi della city.  Altri andranno ad ascoltare un concerto gratis di organo in una delle belle chiese seicentesche costruite da Wren dopo il grande incendio del 1666.

Qualche settimana fa andai alla chiesa di Saint Margaret Lothbury, già descritta da me per il suo magnifico organo a https://longoio3.com/2018/06/02/lorgano-barocco-di-santa-margerita-a-londra/ dove sentii questo concerto.

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Il Requiem di Fauré è sempre stato il mio preferito brano per l’oltre-tomba. Non impaurisce come il requiem di Verdi, oppure quello di Berlioz, ma dona la consolazione ed un’ulteriore conforto.

Queste sue doti hanno fatto risalto nella esecuzione che sentii. L’unione delle voci bianche di una scuola di Londra e un coro di uomini era pressoché a perfezione.

La scuola fu fondata nel 1949 ed è un tipo che in inglese si chiama preparatory school cioè per ragazzi (e dal 1981 per ragazze) dall’età di 4 a 13 anni. Conta 110 professori e 989 alunni.

Come tante scuole inglesi Hill House è nota per la sua divisa scolastica che, in questo caso, è molto particolare:  maglia color senape, knickerbocker di velluto a coste e cappello lavorato a maglia. L’idea del fondatore era che gli alunni potessero così fare le lezioni in classe e praticare lo sport senza dover sempre cambiarsi. Nel mio servizio i ragazzi portano la divisa estiva.

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Aggiungo che, da piccolo, il principe Carlo erede del trono britannico fu un alunno di questa scuola. Questo potrebbe spiegare il suo amore per la musica.

Sentite come sono bravi questi ragazzi! Anche questo concerto era gratis con offerte per la chiesa a volontà.

 

Consolatrice,

destino di ogni vita:

morte, t’abbraccio.

 

 

Fornoli’s Speaking Guitar

Fornoli’s summer evening announced in my post at https://longoio3.com/2018/07/12/fornolis-summer-music-and-poetry-festival/ was a great success and attendance was brim-full in that gentle summer evening.

The format was a well-tried and tested one of combining music with poetry. Sometimes the music, played by ever-developing Giacomo Brunini,  was played solo;

Sometimes it was combined with poems and stories beautifully declaimed by Marco Nicoli and Piero Nannini (with excellent cueing).

And sometimes the text was recited without guitar.

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There was one particular stand-alone story recited with typical verve by Piero Nannini from a collection of stories by a Polish writer, Slawomir Mrozek, referring to a hole in a bridge joining two towns which no-one town could decide to repair.

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I think the laughter this hilarious story aroused  was because of the resonance it had with us poor locals infested by an increasing number of pot-holes in our area.

It’s already the sixth year this unmissable event has taken place at Fornoli and every year the format is different and equally enjoyable. All praise is due to Marco Nicoli and the Mammalucco association for putting on such great and informative entertainment.

 

Lucca: Italy’s Protestant Haven.

It’s not often realised that the supposedly historically clear-cut distinction between a Protestant northern Europe and a Roman Catholic southern Europe is not that clear-cut at all. For example, in Britain, Roman Catholic families, known as recusants, have never abjured their original faith since the great split the reformation created in the Christian faith.

Indeed, some of these families have retained high positions among the English nobility to this day; for example, the Duke of Norfolk, the first duke of the peerage, is the Queen’s (who is also head of the Church of England) second cousin. His main seat is at Arundel castle, Sussex.

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Arundel also possesses one of Europe’s finest Roman Catholic cathedrals.

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In Southern Europe, conversely, many Roman Catholic communities renounced Papist doctrine to form their own protestant sects. Indeed, the first signs of Protestantism were felt as far back as the 12th century with the Waldensians.

The Waldensians take their name from a merchant from Lyons called Valdo, who around the year 1170 sold his assets and began to preach the Gospel to his fellow citizens with the idea of renewing the church. The Catholic hierarchy reacted by excommunicating him. (Later Saint Francis of Assisi decided to follow the same life of poverty, but the Roman Catholic Church acted rather differently and accepted his order of friars).

The followers of Valdo continued their preaching despite being excommunicated, forming small communities forced, because of constant repression, to lead a clandestine existence. Their faith was inspired by the Sermon on the Mount and its fundamental tenets: the rejection of violence, the Roman Catholic oath of allegiance to the Pope, and the association of the church with political power.

Despite violent persecutions and the ruthless work of the Inquisition, the Waldensians kept their faith throughout the middle Ages. The areas where they largely settled were the Western Alps, Provence, Calabria and southern Germany.

Thus, both recusants in northern Europe and Protestants in southern Europe regrettably had their fair share of martyrs and for centuries had to practise their faith behind closed doors – hence the number of priests’ holes found in aristocratic English country homes and the secret locations of protestant sects in Italy.

Coughton Court, a National Trust property in England and home of the recusant family of the Throckmortons, has a whole secret section where Holy Mass could be celebrated:

Milton, during his visit to Italy in 1638, was fully aware of the situation and heard of the terrible massacre of the Valdensians by the troops of Charles Emmanuel II, Duke of Savoy in Piedmont  in April 1655,

As a result Milton wrote one of his finest and, certainly, most angry sonnets: “On the Late Massacre in Piedmont”.

Avenge, O Lord, thy slaughtered saints, whose bones
Lie scattered on the Alpine mountains cold,
Even them who kept thy truth so pure of old,
When all our fathers worshiped stocks and stones;
Forget not: in thy book record their groans
Who were thy sheep and in their ancient fold
Slain by the bloody Piedmontese that rolled
Mother with infant down the rocks. Their moans
The vales redoubled to the hills, and they
To Heaven. Their martyred blood and ashes sow
O’er all th’ Italian fields where still doth sway
The triple tyrant; that from these may grow
A hundredfold, who having learnt thy way
Early may fly the Babylonian woe.

Lucca played an important part in preserving emerging protestant and, especially, evangelical ideas. Indeed, it welcomed the Waldensians as it welcomed Protestantism.

Thanks to enlightened rulers and to the establishment of a press which printed one of the first bibles in the Italian language and thanks also to the mountainous area of the Garfagnana surrounding the city to the north, Lucca has historically been more generous to those of evangelical faith than most other areas of Italy. Even here, however, papist power used to make life for Protestants in Lucca almost impossible.

The Diodati were a noble family and had the Orsetti palace built for them by the great Luccan sculptor and architect Nicolao Civitali. However, despite the fact that, in the Republic of Lucca, the Protestant reform saw the adherence of a considerable number of citizens, including members of the aristocratic ruling class, the Diodati were forced to leave for Geneva because of their belief in the Protestant Reformation. (The palace is now seat of Lucca’s mayor, Alessandro Tambellini, who kindly showed us round this magnificent building – see my post about this at https://longoio2.wordpress.com/2017/03/28/a-meeting-with-the-mayor-of-lucca/)

The reason for the Diodati’s exile was that the Pope, suspecting what was happening in the Republic, began to exert diplomatic pressure on the government of Lucca. Lucca always rejected the Inquisition and the Jesuits, but fearing that the Pope and his army might invade Lucca, many distinguished Protestant Lucchese left the Republic. Fortunately none suffered physical violence but, rather, were helped by exiled Lucchesi.

Exiles included Michele Burlamacchi (1532-1590), Benedetto Calandrini, Pompeo Diodati, Michele Burlamacchi and his wife Chiara Calandrini, Teodoro Diodati (1573-1650) who studied medicine in Leiden, and moved to England, where he became a member of the Royal College of Physicians in 1616. Among Teodoro’s patients was Prince Henry, the heir to the British throne and a brilliant young man.

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Prince Henry lived at Charlton House in the borough of Greenwich, London with his tutor Adam Newton but sadly died of typhoid fever aged only 18, a real tragedy for the nation.

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It’s thus that his younger, less intelligent brother Charles became heir to the throne (and I think we all know what happened to him….).

Another Lucchese, Giovanni Diodati (1576-1649), became a Protestant theologian, professor of linguistics, and the translator of the Bible in Italian and French. Giovanni’s translation of the Bible in Italian stands comparison with England’s own King James Version in the beauty of its language and that fact that it is still used in church services today. Indeed, only four years separate the Italian translation (1607) from the English one (1611).

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We were privileged to meet a great evangelical leader and scholar, former pastor of the Waldensian church in Lucca, Domenico  Maselli , at a conference he participated in on that powerful mediaeval countess, Matilda, the lady who ordered the building of our famous devil’s bridge. (See  https://longoio2.wordpress.com/2015/11/15/borgo-a-mozzanos-matilde/ for more on this and  Maselli who regretfully died the following year).

In Lucca’s via Galli-Tassi there’s an evangelical Valdensian church with a very active congregation. A friend, who also directs a choir I sing in, is organist at this church.

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There also used to be substantial numbers of Waldensians in the hills above Barga, especially at Piastroso and Renaio. They were protected by an old edict which stated that anyone living above 700 metres was free to practice whatever faith they wished.

Today, the mountain congregations have all but disappeared through emigration but every year, in July, the Waldensian evangelical community elsewhere meet up at the local inn in Renaio, called’ Il Mostrico’, for an ‘al fresco’ lunch, a prayer meeting and a talk about their community.

I turned up, by chance, towards the end of this year’s Renaio gathering and was impressed by the welcome I received and the beauty of the spot.

In the nearby school there was an exhibition of photographs depicting aspects of the group. How much history, how many ‘mute inglorious Miltons’ must there be in these evocative photographs!

The principal message of the Waldensian sectors is the oft stated but all too often disregarded one that ‘God is Love.’

It’s both an easy and a difficult message to follow. Words like ‘tolerance’, ‘forgiveness’, ‘apology’, all too often remain in one’s mind rather than in one’s actions.

I felt that both the Old Catholic recusants of England and Italy’s Waldensians must have survived to this day principally because they had the strength to forgive those who perpetrated the terrible persecutions they suffered in the past and because they were able to apologise for the persecutors before God himself.

I wish we all had the same power to forgive and forget. It would make the world such a better place!

I Fiumi e i Canali di Londra

Se uno pensa a Londra e il suo fiume, il nome ‘Tamigi’ entra subito in mente. Quello che non è immediatamente evidente è che Londra è una città di molti affluenti del Tamigi e, cioè, di molti fiumi.

 

(Gli affluenti più importanti del Tamigi)

Da piccolo mi ricordo che la mia ambizione era di arrivare con la mia bicicletta dalla zona di Londra del Sud dove abitavo (Forest Hill) e toccare le sponde del grande fiume. L’ho toccato, finalmente a Deptford seguendo il Ravensbourne, uno dei più lunghi degli affluenti del Tamigi.

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(Il fiume Ravensbourne a Beckenham)

Purtroppo, nel centro di Londra parecchi affluenti sono stati canalizzati o addirittura convertiti in fogne (nel medioevo servivano già come cloache aperte, e la puzza degli scarti di macellai, di pelle, di ossa, di cani deceduti, e perfino delle teste decapitate dei criminali, doveva essere veramente insopportabile.)

Tra i fiumi scomparsi sotto terra nelle tubature, è il Fleet (che corre sotto Fleet Street), il Walbrook, principale affluente della Londra Romana, il Silk, il Moselle, il Tyburn, il Serpentine, l’Effra, il Westbourne, il Peck (da dove si deriva il nome della zona di Peckham), il Wandle (di Wandsworth) e il Quaggy, parte del quale si può vedere a Catford, il quale nome è tradotto come ‘guado di gatto. ‘)

(Scultura rapresentante il fiume Walbrook, ora intubato sotto Londra)

Derivo tuttora grande piacere a seguire gli affluenti del Tamigi. Non tutti sapranno che il bel lago del Serpentine che attraversa Kensington Gardens e Hyde Park, (e dove si tolse la vita Harriet, la prima moglie del poeta Shelley, nel 1816 all’età di ventun anni) non è altro che il fiume Serpentine arginato da una diga per poi scomparire sotto terra nei tubi.

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Certamente il più grande e bello degli affluenti del ‘Father Thames’ è il fiume Lea che sorge nella campagna idillica delle colline Chiltern a nord della capitale per poi sboccare in mezzo della zona industriale del Docklands. Il Lea è famoso per la sua associazione col grande scrittore del seicento, Izaak Walton, che scrisse ‘The Compleat Angler’ nel 1653, il classico testo sulla pesca.

Nel diciannovesimo secolo c’è stata una grande bonifica dopo il ‘great stink’ – la ‘grande puzza’ – che, nel 1858, fermò persino il lavoro del parlamento britannico. Grazie all’ingegner Bazalgette due enormi fogne furono costruite, il ‘Northern e il Southern outfall sewers’. Le stazioni di pompaggio ad Abbey Mills e Crossness sono capolavori d’ingegneria e arte vittoriana e sono monumenti protetti. Di recente, volontari si sono messi a rimettere a posto le pompe originali d’epoca e di ridipingere le elaborate costruzioni ferree nei loro colori originali.

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La bonifica di Bazalgette fermò anche le epidemie del ‘Re Colera’, l’ultima della quale ebbe luogo nel 1866, uccidendo decine di migliaia di abitanti.

Chiamerei il sistema di fogne di Crossness e Abbey Mills le cattedrali Londinesi dedicate alla salute corporea come Westminster e Saint Paul’s sono le cattedrali che curano la salute spirituale della città.

Ho già scritto del vasto kilometraggio di canali Londinesi che, prima dell’invenzione delle ferrovie, erano il mezzo di trasporto più importante dell’Inghilterra (esistono ancora più di 3,500 kilometri di canali in Gran Bretagna oggi) ma che ora servano più per svago e turismo. (Non lasciate Londra prima di fare un bel giretto sul Regent’s canal in una tipica long boat!)

I canali avevano bisogno di fiumi e laghi per riempirli. Quest’acqua viene tuttora dai fiumi. Nella zona di Wembley, per esempio, scorre il Grand Union Canal che congiunge Londra a Birmingham e che è riempito in parte dal fiume Brent che dona il nome all’attiguo comune.

A pochi passi dall’autostrada M4, che scorre all’aeroporto di Heathrow per arrivare a Bristol e il Galles, si può entrare in una zona di pace e tranquillità che circonda l’antico maniero di Boston manor. E’ qui che si possono intravedere due corsi d’acqua, il fiume Brent che dona le sue acque al Grand Union canal.

Il generoso fiume Brent contribuisce al Grand Union canal anche vicino a Horsenden Hill nello stesso comune. Qui, a pochi passi dalle zone industriali, si entra in un’oasi silvestra di pace, dove esiste ancora una fattoria, un antico bosco collinoso anticamente abitato dai Celti: un rifugio, dove si può facilmente dimenticare che siamo in una megalopoli mondiale con una popolazione di più di dieci milioni di abitanti.

Come scrisse Joseph Conrad del Tamigi in quel romanzo ‘Cuore di Tenebra’ , che, per me,  è l’unico libro che porterei sulla mia  isola deserta: ‘stavo pensando a quei tempi lontani quando i Romani vennero qui per la prima volta millenovecento anni fa.’

Tale è la straordinaria varietà di ambienti che ci presenta Londra!

Parole d’acqua:

limpide memorie

di una città.

 

 

‘I poveri infatti li avete sempre con voi’ (San Matteo)

Non vorrei certo dipingere sempre un attraente ritratto di Londra. Come nel tempo di Dickens esiste incessantemente molta povertà – infatti – più povertà che mai e la disuguaglianza tra i ricchi e i poveri diventa sempre più vasta. Adesso, per esempio, più di diecimila persone, dette ‘rough sleepers’, dormono sui marciapiedi di Londra, il triplo di tre anni fa!

(Mie foto)

Allo stesso tempo aumentano sempre le proprietà vuote a Londra. Circa 20,000 appartamenti e case non sono occupati perché l’affitto, o il prezzo d’acquisto, è troppo alto e anche perché, in Inghilterra si compra una casa principalmente per investimento. In Italia, invece, i prezzi delle case sono diminuiti di almeno il 10%. Guarda Bagni di Lucca, dove scappano via gli inglesi vendendo le loro case a prezzi 30% di meno di quelli dell’acquisto!

Che fare? L’indifferenza è certo l’atteggiamento più vergognoso. Se vedo una persona col solito affisso ‘I’m hungry’ (‘ho fame’) non do mai soldi (che poi forse potrebbero essere usati nell’acquisto di droghe o alcool) ma un panino o una bottiglia di acqua.

Il fatto è che quando ero piccolo non si vedeva cosi palesemente questa immensa disuguaglianza di redditi. Dopo una guerra nella quale l’Inghilterra e le sue città furono sottoposte al bombardamento nazista più lungo, continuo e assiduo di qualsiasi altro paese, è sorto uno stato sociale col National Health service (servizio nazionale di sanità), con case popolari costruite per affitti ragionevoli a tutti, con un sistema di trasporto dove, anche senza macchina, si poteva viaggiare facilmente in tutte le parti più distanti del Regno Unito e, dove il livello d’istruzione era fondato sul merito dell’allievo e non sulla ricchezza della sua famiglia.

A quei tempi si credeva proprio in una società dove nessuno mancava di cure mediche, di un tetto sopra il capo, di un’istruzione di qualità, di lavoro per tutti…

Ora, con questo famigerato brexit, il Regno Unito rischia di vendersi  sempre di più al lurido mondo di lucro: più lavoratori si troveranno con contratti a zero ore e, sicuramente, i senza-tetto, che trovano qualche spazio accanto ad un portone di un grande magazzino o un sottopassaggio pedonale, aumenteranno esponenzialmente.

E’ ovvio, con la sempre più spaventosa differenza tra i ricchi e i poveri, che ci saranno sempre più allarmanti abissi tra le schierate politiche non soltanto in Gran Bretagna, non soltanto in Europa ma in tutto il mondo.

Chi ci salverà, mi domando? Non certo i marziani… o no?

 

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