BARGA OPERA’S PROGRAMME THIS YEAR PART I

MONTEVERDI’S VESPERS OF THE BLESSED VIRGIN

On the 27th of July the 51st OperaBarga Festival begins. It’s organized by the Opera Barga Cultural Association, president Nicholas Hunt and artistic conductor Massimo Fino.

Events will take place in the charming town in various locations, alternating sacred music with chamber music, baroque music and music by Felix Mendelssohn Bartholdy.

Thursday, July 27, at 9.30 pm – Barga Cathedral – Opening Concert with the Vespers of the Blessed Virgin by Claudio Monteverdi (on the occasion of the 450th anniversary of his birth).

Conductor: Federico Maria Sardelli

Choir and Soloists of the Ensemble and Orchestra of the Invaghiti Academy

INFO: tel / fax 0583 711068

operabarga@gmail.com

LE MUSICHE ENSEMBLE AT THE TEATRO DEI DIFFERENTI

Friday, July 28, at 9.30 pm – Teatro dei Differenti – concert by the Le Musiche Ensemble, conductor Simone Bernardini

LE MUSICHE ENSEMBLE IN THE ST. ELISABETTA CLOISTER

July 29, 6.30 pm – St. Elisabetta cloister (historical centre) – concert by the Le Musiche Ensemble, conductor Simone Bernardini

DEBORAH YORK AND PRIVITERA’S “RIME”

July 29, 9.30 pm – Teatro dei Differenti – recital with the “Rime amorose e teologiche della Nobilissima Signora Zerina Samietz di Sebenico”. (“Love and theological rhymes of the most noble lady Zerina Samietz of Šibenik”). Music by Antonello Privitera.

Performers:

 

Soprano, Deborah York

Treble viol, Alberto Rasi

Tenor viol, Claudia Pasetto

Bass viol, Paolo Biordi

Piano and direction, Stefano Salvatori

 

Deborah York is one of the most famous baroque sopranos in Europe. Graduating in musicology with the highest marks from the University of Manchester, she sings in all the major theatres of Europe and with the greatest conductors. She sang in Claudio Abbado’s last concert with the Berlin Philharmonic in May 2013, the orchestra he conducted from 1990 to 2002.

Deborah York has recorded over 40 CDs and debuted at Glyndebourne as Servilia in Mozart’s “Clemenza di Tito”. She regularly sings in the world’s major theatres (Covent Garden, Staatsoper Berlin, Opera di Roma, Teatro La Fenice, Venice, Carnegie Hall, New York, Mozarteum, Palau de La Musica). She has sung Mozart, Gluck, Handel, Britten, Monteverdi, Telemann and Purcell.

LE MUSICHE ENSEMBLE IN THE ST. ELISABETTA CLOISTER

July 30, 6.30 pm – St. Elisabetta cloister (historical centre) – concert by the Le Musiche Ensemble, conductor Simone Bernardini (see photo)

FESTIVAL ‘S CLOSING CONCERT

August 5, 9:30 pm – Chiesa del SS. Crocifisso

Closing Concert with the l’Orchestra dell’ Accademia dell’Annunciata conducted by Riccardo Doni

Angelo Calvo, Pierfrancesco Pelà, Violins

Maria Bocelli, Viola

Maria Calvo,

Maria Calvo, Violoncello

Paolo Bogno, Violone

Elisa La Marca, Liuto

 

Programme:

 

Giovanni Bassano                             RICERCATA a Violino solo

Claudio Monteverdi                         SINFONIA dall’Orfeo

ARMATO IL COR – madrigale a due transposed for two violins and basso                                                                 continuo

Andrea Falconiero                             IL SPIRITILLO for Viola and Violoncello

Christofaro Caserana                        TARANTELLA  for Viola and Violoncello

 

Giovanni Gabrieli                              CANZONI   La Spiritata

Hieronymus Kapsberger                  CANZONE I for solo Lute

Dario Castello                                    SONATA XVI a 4

Antonio Vivaldi                                  SONATA Op1 n 12  “LA FOLLIA”

Antonio Vivaldi                                  CONCERTO in C major. RV 114

Baldassarre Galuppi                         CONCERTO n. 1 a quattro in A minor,

Antonio Vivaldi                                  SINFONIA in D major, RV 125

 

____________________________

 

 

A Neglected Concert

It needs an English school choir to show how superb choral singing standards can be realised. The Sennocke Consort’s recital at Bagni di Lucca’s Teatro Accademico, as part of their Tour of Italy Summer 2017, was abundant proof of this incontrovertible fact.

Beginning with the father of English church music, Thomas Tallis, the evening’s concert progressed through to the twentieth century, including pieces by Clarke, Nares and Sullivan.

Here is the programme:

An added bonus was Allegri’s ‘Miserere’ whose performance achieved sublimity, especially in those moments when the descant soars up to transcendental heights.

Particularly enjoyable was the arrangement of Gospel songs by the consort’s conductor Christopher Dyer.

The soloist in that truly immortal aria from Handel’s ‘Messiah’ ‘I know that my redeemer liveth’ will surely be on the way to becoming another Emma Kirkby.

Also very effective was the continually changing combination of singers for the evening’s programme and the already excellent conducting skills shown by the pupils themselves.

In the hackneyed phrase of school reports it was only the audience who ‘could do better’. There were fourteen on the theatre’s stage and there were the same number in the audience.

Publicity cannot be blamed. The event was clearly indicated on the comune’s web sites and also, of course, on my blog page at

https://longoio3.com/2017/07/05/sevenoaks-school-comes-to-bagni-di-lucca/

Perhaps more posters could have been placed on the town’s already overloaded bar doors but, frankly, the attendance for the concert was that word often used by certain inhabitants of Tunbridge Wells ‘disgusting’.

Christopher shrugged it off as saying that the concert at Bagni di Lucca could be regarded as a dress rehearsal for the following evening’s concert at Lucca.

Until more people attend these special chances to hear how a school choir can and should sing, choral standards in Italy will continue to remain well below Anglo-Saxon distinction.

Just to show you how good an English school choir can sound like here are a few excerpts from the concert:

https://www.youtube.com/edit?o=U&video_id=W-iAJHO67n0

https://www.youtube.com/edit?o=U&video_id=UIBSklZyKgU

https://www.youtube.com/edit?o=U&video_id=dchoIHGo2gw

https://www.youtube.com/edit?o=U&video_id=hpy1oRaOHtY

https://www.youtube.com/edit?o=U&video_id=MtDUBswGiHc

 

 

I do hope that at Lucca, at least, the number of the audience exceeded the performers on stage…