Spoilsport Befana

January 6th, is a national holiday in Italy. As any Christian will know January 6th is Epiphany, the day when the Wise Men arrive from the east to present their gifts of gold, frankincense and myrrh to the baby Jesus. The whole event is incomparably summed up in the poem by T. S. Eliot when one of the Magi looks back on the difficult journey they had undertaken. I can do nothing more here than quote in full this sublime poem:

The Journey Of The Magi

‘A cold coming we had of it,
Just the worst time of the year
For a journey, and such a long journey:
The ways deep and the weather sharp,
The very dead of winter.’
And the camels galled, sorefooted, refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and grumbling
and running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices:
A hard time we had of it.
At the end we preferred to travel all night,
Sleeping in snatches,
With the voices singing in our ears, saying
That this was all folly.

Then at dawn we came down to a temperate valley,
Wet, below the snow line, smelling of vegetation;
With a running stream and a water-mill beating the darkness,
And three trees on the low sky,
And an old white horse galloped away in the meadow.
Then we came to a tavern with vine-leaves over the lintel,
Six hands at an open door dicing for pieces of silver,
And feet kicking the empty wine-skins.
But there was no information, and so we continued
And arriving at evening, not a moment too soon
Finding the place; it was (you might say) satisfactory.

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.

 It would certainly have been a tough journey for the Wise Men if they had to cross our part of the world. We’ve had the worst (or best some enthusiasts might say) snowfall for over ten years. The Val di Lima and our village have been turned into a veritable winter wonderland.

In Italy it’s also the time of” La Befana” when a very old, ugly white-witch comes on the eve of January 6th to fill up the stockings of good children with sweets and those of bad children with coal (at least that’ll be useful for heating up our houses on these extremely cold evenings.) La Befana is, of course, a corruption of the word “epiphany” but how did this beneficent old crone come onto the scene in Italian households in the first place?

As with the majority of Christian rites, ”la Befana” has a pagan origin. In Roman times the goddess of fertility would sweep the skies at the winter solstice to augur the return of growth in the fields. The broom was a symbol of the cleansing of the earth for the new forthcoming growing season. (Harry Potter eat your heart out…).

The early Christians condemned such practises as heretical and this beautiful goddess was thus turned into a horrible witch. However, the locals would have none of this and, in her uglified version, the Befana returned to reign supreme in children’s minds in this custom.

Indeed, a further story was added to retain la Befana’s credibility. In this version the Three Wise Men meet an aged crone and ask her the way. Only afterwards does la Befana realise the importance of this encounter and tries to find the Magi. She asks everywhere and, where indications are had, gives sweets and presents to the children of the households hoping that one of the houses will, indeed, shelter the baby Jesus. Originally children would place shoes and stockings to help the Befana on her quest. Later, shoes were discarded but the stockings remained, to be filled with goodies.

Epiphany is also the time when, by popular consent, the Christmas season ends. As the couplet says.

L’epifania 

Tutte le feste porta via

(“Epiphany takes away all festivities”).

Liturgically, this is quite incorrect, however since it’s the presentation of Christ in the temple that officially ends the Christmas season, on February 2nd, at the festival called the Candelora where candles are presented and blessed to symbolise the advent of Christ’s light upon the world.

Under normal circumstances La Befana is celebrated everywhere in Italy with many local variants. One of the best celebrations in Tuscany is the Florence’s Epiphany parade which I have posted at  https://longoio2.wordpress.com/2016/01/11/a-cold-coming-we-had-of-it/

In our area the best celebrations are to be found at Barga and last year there were also children-oriented events in Bagni di Lucca including a vivacious pantomime acted by local Red Cross volunteers

Since the winter holidays are so short in Italy it also means that the children would be able to return soon afterwards to school, hopefully in an optimistic mood after their days of being spoilt rotten. Sadly this year for obvious reasons this will not be possible and there is still much debate in Italy, as there is in the UK, whether even nurseries should be opened.

There is a Tuscan variant of the little rhyme about the Befana which goes as follows:

La Befana vien di notte
con le scarpe tutte rotte
attraversa tutti i tetti
porta bambole e confetti .

(The Befana comes by night

With shoes in disrepair

She crosses all the roofs

Bringing dolls and lots of sweets).

How do we adults fit into all this? In 2007 I was a wise man (Melchior, I think) at one of the most beautiful Presepi Viventi (living cribs) in our part of the world: the presepe of Equi Terme just across the “border” in Lunigiana.

Let us sincerely hope that the events characterising the Italian Christmas season will be back in full swing next year. We have missed so many things: the living presepi or cribs when village people dress up and re-enact the events of Bethlehem as shepherds, angels, wise men and the Holy Family itself, the midnight Mass at the convent of the Angel, the ice-skating rink at Lucca and, most of all, the ability of being able to hug and kiss our friends in perfect safety.

In such a relatively homogenous culture as Italy these temporary losses are quite heart-rending. So much enthusiastic community effort is put into their preparation However, it is far better to miss them for one season than to run the risk of losing our own lives and those of our loved ones to the dreaded virus!

In respect of this and the vaccine I recently received the following good news from one of my British cousins:

“I just wanted to advise you that Aunt D (aged 99) has now had her first Covid vaccination of the two recommended. On Friday the 8th January I received a call from her surgery receptionist asking if I would be able to attend at the surgery to provide the first inoculation. We agreed a time and it passed off without incident.

It was a very well organized operation and Aunt D did not suffer any reaction at all on the day.  I was allowed to accompany her throughout the procedure which was completed inside 20 minutes.

She seemed quite chirpy after the appointment. Aunt D was given the Oxford AstraZeneca vaccine at the surgery.”

So there we are.  As the Joni Mitchell song goes “Don’t it always seem to go
That you don’t know what you’ve got till it’s gone.”

Let’s make sure our traditional festivities and comradeship don’t go away next Christmas!

Monoscopica – An Exhibition at Barga’s Via del Pretorio no. 4

On our trips to Barga we had always found time to have a slice of pizza at the little pizzeria just inside the town’s main gateway, the Porta Reale, in the Via del Pretorio. This street, which leads up to Barga’s fine cathedral, has new significance for us in the attraction of an art gallery at no .4. I can’t do better than to quote what this gallery’s web site at https://www.viadelpretorio4.it/?l=en says about itself:

Via Del Pretorio 4 is not just an address. Via Del Pretorio 4 is not only a physical place, it is also a point of reference, via Del Pretorio 4 is a soul space.

Between the walls which embrace the studio of the artist Giorgia Madiai, over time, a conservatory has been created where the arts evolve and are expressed in all of their diversity and potency.
This corner in the historic centre of Barga, in a short time, has become a “speakers’ corner”, where art and knowledge take shape and are freely expressed.

Cultural events by numerous artists and musicians of national and international renown have been presented here: Alessandro Cavalloni, Nicola Perullo, Federico Maria Sardelli, Dimitri Grechi Espinoza, Nicolao Valiensi, Giuseppe Venturi, Zeno Marchi, Patrizio Alaimo, David Dominici, Azzurra Tanzini, Gabriel Feld, Candida Abbondio, Nicola Salotti, Mario Madiai, Stefano Tommasi, Nicholas S. Kraczyna, Sara Saccomani, Sandra Rigali, Noah Tortelli, Fabrizio Da Prato, Luca Salemmi, Walter Nenci, Keane, Kerry Bell, Claudia Haberkern, Masahide Kudo, Francesco Piacentini, Andrea Landi, Andrea Convalle, Sally Li, Angela Guadalupe and many others.

My greatest wish is to continue to organize events, to involve artists and anyone who would like to exhibit their work in any form: actors, musicians, writers, painters, sculptors, performance artists, free thinkers, as well as events, presentations, conferences, plays, and courses open to anyone who wants to learn: #viadelpretorio4 should become a forge where art is not just to enjoy, but something to participate in collectively, and then we’ll add to the mix, hospitality, oenology and gastronomy.

The gallery’s space was conceived for conversation and presentation and will host artists, musicians and performers in exhibits and events which will be presented monthly by resident artists, Giorgia Madiai, Fabrizio Da Prato, Caterina Salvi, Stefano Tommasi, and Kerry Bell as well as many guest artists, musicians and performance artists.

Currently there’s an exhibition, open throughout September, on weekdays from 4 pm to 6 pm and at other times by appointment, showing works by the following artists: Giorgia Madiai, Fabrizio Da Prato, Kerry Bell, Caterina Salvi, Stefano Tommasi, Cinzio and Andrea Tessieri. These artists each so different from the other in their techniques and aspirations have put together a show which cannot possibly be missed and it is to be singled out for its very high standard.

“Monoscopica” is the title of the exhibition. Translated into English it means a television test card used to help viewers tune their set to the best picture and which, before the explosion of new channels occurred, used to occupy much of the time a television screen was switched on. Perhaps then this exhibition is a way of attuning viewers’ reactions more clearly in perceiving life details they may not have been aware of, or if they had been aware, to have discarded these images as being of little importance without realising their significance.

Let us look then at some of the art creations presented in this very eclectic and certainly stimulating exhibition. I have very little to add to Kerry Bell’s comments she kindly sent me on the works presented which also include her own. Her comments are shown in italics below.

Giorgia’s work currently on exhibit includes powerful imagery of the double tailed mermaid seen throughout Italy in churches and archaeological sites. It also includes intriguing references to the Tarot, as well as emotionally evocative symbolism of the divine and not so.


Giorgia Madiai’s ‘Sirena’ is a mixed media work which, although highly original, evokes in me reminiscences of Chagall, in particular his stained glass designs. Indeed, I think Madiai’s work could very easily translate into glass. This detail from the work pictures a dream sequence delving into fantasy with the wonderland rabbit. It is also suggests a nightmare appeased by a phrase which, translated means, ‘give her peace’. I especially love the composition’s colour chromaticism with its autumnal shades.

Fabrizio’s work here is part of his on-going exploration of materials and imagery that promote Fine Art in construction, home, and advertising. He is currently installing a series of paintings in place of advertising, as billboards, in Parma, the designated capital of culture in Italy for 2020. These are a continuation of his work in the same field shown in Palermo and Pistoia.

I have known Fabrizio since he was one of my English language students at the Materis paint works in Capannori. I do think that getting a job in a paint factory as an artist must be a very empathic occupation and it certainly adds vividly to the artist’s handling of his medium!

Caterina (Debbie) Salvi presents a series of photographic abstracts with sharp contrast and detail, showing exquisite depth and texture, in addition to a fascinating black and white series done of Casa Pascoli, which is featured in two books.

Black and white photography has tended to be displaced by the current emphasis placed on colour, especially in this digital age. Yet monochrome represents classicism and indeed, evokes in me some of the finest thirties and forties era mostly black-and-white Hollywood films, especially film noirs with their empathic shadows and unusual camera angles bordering into the non-figurative like Billy Wilder’s ‘Double Indemnity’.

Stefano Tommasi is showing black and white photography of thought provoking detail.

Stefano is another acolyte of monochrome photography. His skill is such that it  tempts  me to turn off the colour option on my own camera and start concentrating on what for a long time used to be considered inferior, if only because its printing was cheaper, to colour photography.

Kerry Bell’s textiles range from garment to sculpture which arouse and evoke our profound emotional connections to clothing.

I have discussed the last exhibition I visited featuring Kerry’s work at Barga’s Oxo gallery at my post at:

https://longoio3.com/2019/09/25/elusive-elegance/

I can only repeat a paragraph in that post as it continues to sum the special qualities of Kerry’s work in this exhibition:

“It was the folds in the dresses that principally engaged my attention: those sinuous contours, the interweaving lines, highlighted by the subtle use of lighting, which continued their journey, projecting multi-layered silhouettes onto the gallery walls and forming a profound dialogue between the object and the aura it created”.

Andrea Tessieri’s print delicately and warmly evokes a place lost in time.

I can add very little to this succinct reflection on Andrea’s work except to say that, again, it leads into a parallel universe beyond our mundane concepts of time and space.

The gallery is open generally from 6 PM and by appointment. For more information contact giorgiamadiai@gmail.com or 334 368 8592 and follow us on Instagram viadelpretorio4

The Libraries of Barga

Barga, one of Italy’s ‘più bei borghi d’Italia’ (‘the most beautiful towns’) possesses three main libraries. The first is the borough Library in via dell’acquedotto which is mainly aimed at an Italian-speaking public. It has a facebook page giving current information about facilities and opening times at https://www.facebook.com/bibliotecabarga.

The second is the red telephone book-exchange mini-library in Via Marconi. Gifted to the ‘Barchigiani’ in 2008 by Mauro Cecchini, a retired Fish and Chip owner in Edinburgh originally from Barga, it makes a superb use of the famous red ‘jubilee kiosk’ designed by Sir Giles Gilbert Scott to commemorate George V’s silver Jubilee in 1935. Once a familiar site through the UK the telephone box was in danger of extinction had it not been for the efforts of my ex-school mate and distinguished architectural writer Gavin Stamp. (You can read more about him and his campaign in my post at https://longoio3.com/2018/01/07/a-great-architectural-historian-lost-to-us/).

The third is the much-loved Barganews Library, an ever-growing, mainly English-language collection of books kept in the headquarters of barganews.com, Piazza Angelio, Barga Vecchia.

It was in 2006 that Barganews founder and editor Keane invited a friend to help organize a lending library in his office in old Barga. Caroline Walters asked me to help her and I found myself organizing books into their various categories novels, non-fiction, crime and thrillers, biography, classics, travel, romance, children, classics and so forth. My wife, Sandra, also provided invaluable help.

Keane pointed out that the book’s ISBN would be useful in the cataloguing process (although there were several older books, mainly published before 1970, that did not have this number. We pursued this system scanning the books into a computer database. We also distinguished book categories by using different colour tapes placed on their covers. My friend suggested that I would have to improve as a library assistant since I liked to browse through most new books I placed on the shelves and this slowed things down a bit!

(Keane, the originator of Barganews and its library   in 2006)

Sadly Caroline died of complications arising from Leukemia in Pisa hospital on the 14th July 2008. A new librarian was recruited. Ana Onatah further did sterling work in developing the library until she moved to France some time later.

The Barganews library (web site at https://www.barganews.com/the-giornaledibarganews-library/) continues to flourish to this day and with the easing of pandemic lock-down regulations should now become more easily accessible. The library is open to members from 10 am to 10pm, seven days a week and membership is just 30 euros per annum plus one book donation when one becomes a members. There are over four thousand books, primarily in English.  Members receive a key, for their own personal use so they are free to use the library whenever they wish.

Many of us, denied access to our libraries because of Covid-19, have relied on e-libraries and e-books such as Kindle. It will be nice, however, to have once again the choice of handling a real instead of a virtual book and having the pleasure of feeling its covers and turning its pages. Let us hope that libraries will soon open up and that more people will appreciate them, especially when they have been denied access to these vital facilities for too long.

 

 

Local Restaurants for your Pets

Pet-friendly restaurants in our area of Mediavalle and Garfagnana are often sought out by friends and trekking partners. In such a beautiful area of walking country many like to take dogs to accompany them and, indeed, if trained properly, dogs can be invaluable in helping walkers in difficulty in often treacherous mountain paths.

There are no laws in Italy specifically banning dogs from entering restaurants; it’s very much up to the discretion of the proprietor and that’s where the problem starts. Some friends of ours, who have a very placid and intelligent dog, were welcome with her to a trattoria in the upper reaches of Palagnana only to be less than welcomed with the same animal a second time. There must be places which can assure customers a consistent welcome or their animals and, indeed, there are. On the web site www.ascadellavalle.it I have found a list of places where one can eat not only well but also be guaranteed a welcome for their pets too.

Here is a list of pet friendly places in the stretch of our Serchio valley from Bagni di Lucca to Piazza al Serchio. I should state that we do not have a dog and that we have not visited or eaten at all of them (the ones we have eaten at are underlined). I am, however, dividing them into (1) Pizzerie and (2) restaurants and trattorie that serve local delicacies:

Pizzerie:

Pizzeria Location Tel
La Bionda Gallicano 0583 641355
Trovaposo Fornaci di Barga 0583 757726
Il Buongustaio Piano di Coreglia 0583 779346
Es Vedra Fornoli (Bagni di Lucca) 339 491 9880
Il Nido dell ‘Aquila Gallicano 0583 709999

 

Trattorie and restaurants

 

Osteria / Trattoria / Restaurant Location Specialities Tel
Il Rondone Fornovolasco Typical Garfagnana cuisine

 

0583 722018
Il Pozzo Pieve Fosciana Homemade pasta, mushrooms and grilled meat 0583 666380
Giro di Boa Barga fish specialties and themed dinners 347 003 0700
La Pergola Barga fish dishes 0583 1921681
Davy’s Café Camporgiano land and sea dishes, themed nights 0583 600465
Al Ritrovo del Platano Gallicano grilled meat 0583 689922
L’Osteria Barga Local cuisine 335 538 7113
Quadrifoglio Piano di Gioviano spaghetti with seafood 0583 833254
Il Ristoro del Venturo Castelnuovo di Garfagnana steak (local) 0583 65605
La Bionda Fornaci di Barga typical cuisine, gluten-free, seafood menu 0583 75624
L’Altana Barga home cooking 0583 723192
Scacciaguai Barga truffle specialties 0583 711368
Da Sandra Fabbriche di Vallico homemade tordelli 0583 761712
Al Romanzo Barga steaks 328 574 772
Il Flamingo Ponte all’Ania grilled fish and meat specialties 0583 730326
Al Barchetto Turrite Cava (Gallicano) fish specialties 0583 75495
Robur Bar Cardoso (Gallicano) fish menu 347 143 5758
Elisa Barga Local specialities 0583 572502

I am quite sure that our cats would enjoy the fayre at several of these eateries. Becoming ever more popular in the world are cat cafes where customers can release the day’s stress by drinking a cappuccino with a tabby cuddled on their lap. There are none of these around our area although there are several bars with friendly cats prowling around unofficially. There is, however, a web site at https://thefashionplatemag.com/how-to-shop-sustainably/milan/for-pet-lovers-cat-cafes-in-italy/ which lists some popular cat cafes in towns like Turin, Milan and Rome.

I have not found any places where such animals as crocodiles are welcome (maybe because they’ve gobbled up most of their customers) although I look forwards to those where pet pigs and lamas are at home. Nevertheless I would certainly avoid those eateries that welcome blue-bottles and wasps in their precincts!

 

Tour de Barga?

For the next few weeks physio has been laid on for me at Barga hospital’s excellent department. On Mondays, Wednesdays and Fridays it’s exercise bike time and on Tuesdays and Thursdays it’s gym.

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The exercises are very carefully graded and we are electronically monitored and have our blood pressure regularly taken during the one –hour session.

On the wall is a diagram showing the categories of exercise in ascending order of difficulty. I dread reaching the final stage!

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In the afternoon I take a walk in the area surrounding our house. Gradually I feel my strength coming back and I am reliably informed that I shall feel better than ever before once the thirty sessions will have completed. I’m utterly sure it’s going to be fine.
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Carded in Cardiology

The upper reaches of the river Serchio valley are served by two hospitals, one at Barga and the other at Castelnuovo di Garfagnana. Both were founded over fifty years ago and each has specific departments which don’t always overlap.

Last Friday I had an appointment at Barga hospital for a checkup since I was feeling increasingly puffed out. I thought it was bronchitis. The doctor, however, thought otherwise and before I realised what was happening found myself strapped in a trolley, wheeled into an ambulance which pelted at breakneck speed through the mountain roads with sirens blaring away towards Castelnuovo di Garfagnana.
The view from Barga hospital over the Apuan alps is quite stunning with the majestic Pania della Croce massif lording it over the range.

borghi-barga-garfagnana-AP-600x401By the hospital entrance is the ancient convent of Saint Francis whose church has some exquisite Della Robbia terracotte including this one of the Nativity.

 

At Castelnuovo hospital I was admitted to the cardiology department where I was administered various tests and scans and given a bed in a two-place ward.

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This Monday I shall be ambulanced to the region’s big hospital, San Luca at Lucca, where I will undergo a coronarography.
The Italian National Health System has been voted the fourth best in the EU, beating even the UK’s NHS. It’s the second time this year it has rescued me (see my post on the Urology section of Lucca’s Barbantine clinic) and I feel I’m very lucky to have been treated in this country.

Around 2011 there was talk of combining Barga and Castelnuovo hospitals into one new complex to be built at Pieve Fosciana. I’m glad this project has been shelved and that, instead, money has been used to improve facilities at both sites. This year, for example, a new maternity unit has opened at Barga and a new A and E centre is planned for Castelnuovo.
Like Barga, Castelnuovo hospital has views which would be the envy of any Swiss sanatorium.

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Around the hospital, which dates from 1959, is a nice bar, a car park with canopies supporting solar panels and a set of abandoned buildings which once housed an admin block and a chapel of rest.

It would be good to bring these fine examples of post-futurist buildings back into some kind of use.

Anyway, let’s make the best of where we are and enjoy the surrounding freezing temperatures from the comfort of a warm hospital ward!

Nativity at Barga

The longest running presepe vivente (living crib) in our area and the largest is that of Barga, now in its thirty ninth year. The presepe is also the first of its type we saw when we arrived here over ten years ago and it was a lovely reminiscence to return to it just two days before Christmas.

The participants’ procession weaves its way through the mediaeval alleys of this proud little town in the Serchio valley and owes its immaculate organisation to local Enrico Cosmini.

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Around two hundred inhabitants took part in the presepe engaged in representing traditional crafts. They came from Barga and the surrounding villages of Pegnana, Sommocolonia, San Pietro in Campo, Tiglio, Castelvecchio, and Filecchio. Here are some of them weaving, grinding maize, teaching at the school, doing carpentry and beating sacks filled with chestnuts to remove the husks.

A great tradition of the presepi is the appearance of zampognari, or bag-pipe (zampogne) players – shepherds descending from the hills to play before the infant Christ. After all it was they who saw the great host of angels announcing the Virgin birth and it is a custom practised to this day even in the centre of the Roman Catholic church in Rome and something enshrined to glorious musical effect in such works as Handel’s pastoral symphony from his ‘Messiah’ and Corelli’s Christmas concerto.

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We stayed for the arrival of the Holy Family accompanied by their donkey.

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They finally reached Barga cathedral where a rocket was fired from the bell tower representing the comet, accompanied by the sound of bells and the arrival of the Three Kings.

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There was one more day before Christmas and what we did on that evening will have to wait for the next post!

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Looking for the Tuscan House of your Dreams?

Recently we visited a friend’s particularly beautiful property situated by the Apennines between Barga and Coreglia Antelminelli. It has a plot size of 80,000 square metres, five bedrooms with five bathrooms, 100 square metres of parking space and heating which ranges from wood, photovoltaic, solar and GPL

This property is in effect, three houses for the price of one. It’s in immaculate condition and it’s for sale at an asking price which wouldn’t even buy you an undistinguished semi-detached in not a very good condition in an ordinary London borough in zone 4.

It has been a hard decision for the owner to arrive at, especially since so much love and work has been expended on ‘Grifoglia’ – the name of the house suggesting ‘quadrifoglio’, or four leafed clover, which traditionally brings luck and also has an Irish connection.

The property is fully described at

http://www.italianpropertygallery.com/property/casa-grifoglia/

And one can also read trip-advisor notices about staying at Grifoglia at

https://www.tripadvisor.it/ShowUserReviews-g654703-d296303-r47626030-Grifoglia-Barga_Province_of_Lucca_Tuscany.html

There’s a nice video of Grifoglia at

https://www.youtube.com/watch?v=nBSMPDvS09g

And, of course, a facebook page at

https://www.facebook.com/grifoglia/

Do also look at the blogspot at

http://grifoglia.blogspot.com/

During our visit we were able to collect some magnificently sized quinces useful for making jelly. (Quince in Italian is ‘mela cotogna’ and the tree bearing the fruit is called ‘cotogno’.)

The house, which comes with a swimming pool, would be most suitable for agriturismo or farmhouse holidays and would be particularly attractive for those persons with a strong ecological leaning.

Mentioning quinces here is our favourite recipe for making quince crumble cake:

Ingredients

For the quince puree

  • 1kg quinces, cored and roughly chopped
  • 175g caster sugar
  • zest and juice ½ lemon
  • 1 tsp ground cinnamon
  • 2 tbsp cornflour

For the pastry

  • 140g butter, diced
  • 200g plain flour
  • 50g ground almonds
  • 75g caster sugar
  • zest 1 lemon
  • egg, plus 1 egg yolk

For the crumble topping

  • 100g plain flour
  • 75g rolled oats
  • 75g caster sugar
  • 140g butter, diced

Method

  1. To make the quince purée, put the quinces into a large pan with 350 ml water. Cover with a lid and simmer for 1 hr or until the quinces change colour and are pulpy. Remove from the heat and allow to cool slightly, then whizz with a stick blender until smooth. Pass the quince purée through a sieve into a clean pan and stir in the sugar, lemon zest and juice, and cinnamon. Cook the purée until it is reduced by one-third, then mix the cornflour with a little water and stir into the purée until it’s thick. Remove from the heat and allow to cool.
  2. Heat oven to 160C/140C fan/gas 3. To make the pastry, rub the butter into the flour and almonds. Add the sugar and zest, then the egg and the egg yolk. Bring everything together, wrap in cling film and chill for 15 mins.
  3. Roll out the pastry on a lightly floured surface to line a 22cm tart tin. Place in the tin, trim the edges of the pastry if required, and chill for 15 mins. Line the pastry with baking parchment and baking beans, then bake blind for 20 mins. Remove the beans and paper, then cook for a further 15 mins until the base is biscuity. Remove from the oven and allow to cool slightly.
  4. Increase oven to 180C/160C fan/gas 4. Meanwhile, to make the crumble topping, mix the flour, oats and sugar with a pinch of salt, then rub in the butter until you have an uneven crumbly mix.
  5. To assemble the tart, pour the quince purée into the tart shell so it comes just below the top, sprinkle over the crumble topping and cook for 25-30 mins or until the crumble is golden and the quince is bubbling around the edges. Serve warm with cream or custard if you like.

As soon as it’s out of the oven we’ll post our photo of the result here. Meanwhile, here are some pictures we took of this astoundingly charming Grifoglia:

 

 

 

Choral Jamboree at Barga

The Santissima Annunziata (Holy Annunciation) is the church situated opposite one of the best gelati places in the first square one comes across on Barga’s main street from its gateway at the fosso.

The church was built in 1595 to house two wooden statues of the Virgin Mary and the Announcing Angel sculpted by a Tuscan master of the early fourteenth century. The church’s interior is baroque, almost Rococo, in its delicate plasterwork.

In the church’s transept are two large nineteenth-century frescoes depicting the Marriage of the Virgin and the Presentation of Jesus at the Temple painted by Giammattei in Lucca, who also decorated the cupola.

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I’d never ventured inside the church before and was quite surprised at the beauty of its interior. This immaculate setting and its fine acoustics gave a special resonance to the three choirs which feasted us last Friday and continued an end-of-term tradition which has become an annual feature of Barga’s lively musical scene.

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This was the programme for the evening:

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The first choir from Lucca’s Istituto Machiavelli under their conductor Marco Musto warmed us up with a sweet arrangement of ‘Danny Boy’  sung with rather good English pronunciation. The other items were also very adequately delivered. Amazingly the last item was only rehearsed three days previously. This, in my opinion, is a choir that can only develop to greater heights.

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The second choir needs no introduction. Don Toti’s expertise with high renaissance polyphonic music is one of the joys of Garfagnana and his choir’s interpretation, especially of Victoria’s ‘O Magnum Mysterium’, filled the church with radiant effect. I felt, however, that the tenor section needed better blending with more numbers. Any volunteers?

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Andrea Salvoni’s indefatigable efforts in creating a choir from Barga’s  I.S.I. institute has produced a group that is fully able to approach a variety of idioms from classical to gospel. I particularly enjoyed the ‘Pie Jesu’ from Webber’s ‘Requiem’. The duet singing of Caterina Pieretti and Maria Carla Lupi was quite ravishing.

The choir received a well-deserved extended applause:

It’s not an easy thing to get a choir together in Italy. The British tradition of cathedral choirs with their impeccably high standards simply does not exist in Italy and too many schools do not have adequate facilities to devote much time to music. Standards in so many choirs here are not all that high and recruitment to them is another problem. The fact that we were able to hear and truly enjoy three choirs, each one with its own character, and each one with singers and directors who have devoted voluntarily so much of their free time to music, augurs well for the future of Italian choral singing in the Lucchesia.

 

 

Inter-stellar Travel at Fornaci di Barga

Rain didn’t stop play on May the First at Fornaci di Barga’s celebration of this festival which celebrates worker’s day (regrettably in Italy it is more like commiseration of lack-of-work and there were many protests from laid-off workers throughout the peninsula).

We scoffed at the rain like everyone else, almost indifferent to it English fashion. For there was still lots to see and enjoy.

The flowers on sale were even more beautiful because of the raindrops.

The local geological society’s mineral and fossil display was as resplendent as ever with many samples for sale and a photographic display of some new cave explorations in our very special limestone Apuan Alps. I especially enjoyed seeing their finds of bones from the extinct species of palaeolithic cave bear and the lovely leaf fossils:

 

‘Modellismo’ or collecting models is highly popular in Italy. This collector concentrated particularly on cars from the USA.

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The Pistoia branch of the Italian astronomical association showed us some brilliant photos of our brothers and sisters in the solar system taken with two of their state-of-the-art telescopes. Have you booked your flight for Mars yet (like at least 4,000 other earthlings have)?

The branch who run the observatory near San Marcello Pistoiese and whose web site is at http://www.gamp-pt.net/ gave us and all those who ventured on this wettest of days an absolute treat:  they brought a mobile planetarium and gave us an interplanetary and interstellar journey of mind-expanding stupendousness. The equipment used was excellent and the commentary by one of the branch members  fluently informative.

I thought of Stephen Hawking and particularly what he said about our universe: “Look up at the stars and not down at your feet. Try to make sense of what you see, and wonder about what makes the universe exist. Be curious.”

We both space and time travelled and when the door of our little portable planetarium opened at the end of our journey we were mesmerised by the greenness of the world outside, so precious and so ill-used by so many!

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Love our planet: it’s the first step to become aware about our unique lives in a unique place. Then we might learn to discover the real nature of Love itself.