A Plague Church Resuscitated?

Yesterday was  Italy’s first national  commemoration day in memory of its covid dead and Bagni Di Lucca was no exception in remembering this sad occasion with its own twenty nine  positive cases, four of which are in intensive care and its fifty quarantined families.

One year to the day when the shocking train of army trucks bearing the bodies of Bergamo Covid victims was shown on TV I passed the melancholy ruined shell of the former plague church of San Rocco located at the junction between the main Controneria road and the turn-off to the village of Vetteglia. San Rocco had been open for services until the 1970s when the Lucca bishopric declared the church redundant.  It was soon looted of its fitments and the weather did the rest.

I noticed this sign stuck on the facade:

Translated this notice, placed there by persons unknown last month, means.

“In this building which is no longer a church, why not make it into a meeting place for young people to be together and exchanges ideas and plans. From this more initiatives arise. If there are people who would like this to happen. let’s do it and invite local associations to join in. Covid will end. Life continues.”

Interestingly I’d thought about a similar use for this despoiled building when last year I wrote:

“I at least would feel inclined that to give thanks to the Almighty for eventually delivering us from the pandemic we could have the former church of San Rocco outside nearby Vetteglia and now in a ruinous condition memoralizing  this event and restored as a refreshment and information point for modern-day pilgrims to the extraordinarily beautiful area of the Controneria.”

I do hope something on this line can be done when things get back to as normal as I’m sure they will be before too long.

PS. In case you didn’t know San Rocco was invoked against the plague and, judging by the number of churches dedicated to him, was particularly venerated. Born in a noble family the saint gave his wealth to the poor and became a mendicant pilgrim. During his travels the town of Acquapendente became badly affected by the Black Death; Saint Roch stopped there and healed its victims by making the sign of the cross over them. He cured the sick of several other plague-ridden towns without catching the disease himself. However, when the saint reached Piacenza in northern Italy he fell victim and a fetid ulcer developed in his leg. So rank was its smell that people kept well away from him. Luckily a dog befriended Roch and brought him some food daily and even licked his ulcer clean. Hence St. Roch has also become the patron saint of dogs. So let’s have a refreshment point here for dog walkers and their pets too!

Valletta’s Giant Treasure Casket

The centre piece of La Valletta is St John’s co-cathedral, the conventual church, dating from 1577, of the order of the Knights of Saint John. It’s called a co-cathedral since Malta has another cathedral in its former capital of Mdina.

The exterior, flanked by two bell towers, is rather sober:

It certainly doesn’t prepare for the enveloping sumptuousness on stepping inside. One gets the feeling of  entering a huge golden treasure casket:

The barrel vault is magnificently decorated in baroque style with much work completed in 1666 by the Calabrian painter Mattia Preti. One of Italy’s major seventeenth century artists Preti is also responsible for works in many other Maltese churches and is buried in the cathedral to which he devoted so much of his art.

Yet one does not visit St John’s to principally see Preti’s paintings but instead to admire a masterpiece from the hand of one of the most controversial baroque artists, Michelangelo Merisi known as ‘Il Caravaggio’. Fleeing to Malta from a murder he was involved with in Naples (his violent temper often got him into scrapes and he later had to flee from Malta itself) Caravaggio painted the altar-piece in the oratory depicting the Beheading of Saint John the Baptist. It’s the largest painting he produced and the only one he signed. The tough realism and his virtuoso ‘chiaroscuro’ (’light ‘dark’) technique are absolutely stunning.

The cathedral’s side chapels are dedicated to the eight langues or divisions of the order of Saint John and contain funerary monuments of the Grand Masters.  The splendid inlaid marble floor is made up of tombstones, decorated with heraldic devices of the knights.

We also visited the cathedral museum which holds a collection of rich ecclesiastical vestments and a magnificent collection of Flemish tapestries.

The richness of the furnishing of La Valletta’s St John’s cathedral gave us an indication of how much wealth the Knights of Saint John must have possessed in their heyday. It was a wealth to which every major European power contributed for La Valletta stood (and still symbolically stands, as the Pope’s visits demonstrate) as a bastion of Christianity against the onslaught of Mohammedanism.

Today a different kind of onslaught is occurring. Rather than military it is a desperate one: the arrival of refuges across the sea from Africa landing on the shores of this tiny nation. Indeed, relations between Italy and Malta have often been somewhat strained because of this situation and it continues to remain a very difficult matter.

Tiepolo in Milan (and lots more)

Milan has for me always been the Italian city with the greatest significance. My mother’s parents lived there and for some of my early life I was brought up by them in their top-most flat situated on the Piazza Duca D’Aosta fronting that grandiloquent display of neo- Assyrian architecture which is Milan’s central station.

This is a bird’s eye view of the flat showing that it is the only one with a terrace in that block. I note that on the north side of the terrace some greenery has been added.

It was on this terrace that I would enjoy my ‘tinned’ baths:

My grandparents, however, were not originally Milanese. My grandmother was born in Turin and my grandfather spent his early days at the naval port of La Spezia where his father was a carabiniere. My mother, however, was born in Milan and lived in Via San Marco where, in the local church, Verdi’s Requiem received its first performance on May 22nd 1874, exactly one year after the death of its dedicatee, Alessandro Manzoni, author of ‘I Promessi Sposi’, better known in English as ‘The Betrothed’ and Italy’s seminal novel, not only because it is so engrossingly written but because it set the pattern for modern Italian prose writing.

Although Milan was a city I lived a considerable part of my early life it was only later that I began to appreciate its artistic wonders, some of which are the most extraordinary in the whole of Italy.

Yet Milan is not a city to immediately attract the visitor’s eye unlike places like Venice, Perugia, Naples, Florence and Genoa, for, in the midst of its modern architecture, Milan does not present a characteristic Italian mediaeval historical centre, although it does have many mediaeval buildings, including one of Europe’s finest gothic cathedrals and one of the most imposing castles in the peninsula.

This lack of immediate beauty in Milan is because of three main reasons.

First, there was considerable nineteenth century redevelopment in an ambitious attempt to bring the rapidly growing industrial and commercial centre up to date with other European cities. Milan remains Italy’s and one of Europe’s financial hubs. Indeed, the city of London’s Lombard Street is evidence of how much Milanese finance became a component of England’s capital city. Part of this rebuilding included, as in Florence, the demolition of the old city walls, the ‘bastioni’, leaving just the gates which give their names to Milan’s main areas.

(The ‘bastioni’ of Porta Venezia)

Here is one of the gates remaining. It’s Porta Nuova, one of the earliest photos I took with my then new Bencini Comet II camera.

(My early picture of Porta Nuova)

Second, Milan was very heavily bombed during World War II (especially during 1943-4) and lost several characteristic streets and many noble palazzi. Although some famous buildings were restored – among the first was the city’s world-famous opera house, ‘Teatro alla Scala’: its reconstruction pleaded for by the great conductor Arturo Toscanini who knew how its restoration would contribute to raising Milanese  morale. – others unfortunately disappeared for ever; for example the wonderful palazzo Archinto behind the Duomo, the cathedral, with its ceilings frescoed by Tiepolo.

This sad fact I discovered by exploring Milan with a pre-war guide to the city published by the Italian Automobile Club.  I had thought the palazzo was still standing but, instead a new office building had risen in its place. One of the employees kindly showed me black-and-white photographs of the magnificent frescoes Milan had lost thanks to the sorties of the liberating US flying fortresses.

Happily, however, several other palazzi with gorgeous Tiepolo frescoes still stand in Milan.

Palazzo Isimbardi, Milan’s Town Hall:

Tapestry room: Palazzo Clerici:

Ballroom: Palazzo Dugnani

Luckily, as I later discovered, Milan remains a world centre of Art Nouveau architecture, or ‘Stile Liberty’ as it is known in Italy. My tour of these remarkable and newly revalued buildings with David Hill who worked for the British council but who is now, alas, departed from this world, will always rest in my memory.  One of the most spectacular buildings of Milanese Art Deco, David pointed out, is the Casa Galimberti near Porta Venezia.

Third, much like what happened with London when, thanks to bureaucratic vandalism, it lost, among other treasures, the Euston Arch and the Coal Exchange, the sixties and seventies were decades with scant appreciation of nineteenth century buildings. True, some fine modern architecture was erected during this period. As a child I excitedly witnessed the progress of Pier Luigi Nervi’s ‘Pirellone’, for a long time Europe’s tallest building, rising up to seemingly stratospheric heights on the opposite side of the square we lived in. Now the headquarters of Milan’s civic administration, the skyscraper was once the headquarters of Pirelli – a company which my wife was to work for as official translator and with her own secretary.

Sadly, however, it was during this somewhat iconoclastic period of the city’s history that many of its characteristic ‘palazzini’ apartment blocks, dating from pre-unification days and now considered too unhygienic, came under the pick-axe to be replaced by concrete monstrosities.

Among the greatest losses I list the covering up and disappearance of most of the characteristic Milanese ‘navigli’ or canals which connected the city to the rivers Adda and the Po and which were main arteries of transport even after the railways had reached the city. In particular, I remember the Naviglio della Martesana running behind the Salesian institute  where my grandmother used to take me for catechism lessons.

What would I give for these wonderful canals to be restored to the open air again?

(Via Melchiorre Gioia, Milan, as it was until the 60’s with the Martesana canal skirting it. The church is  the basilica of Sant’Agostino of the Salesian Institute Don Bosco where I learned my catechism.

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Sicily: the Island of Snow and Fire

Our journey back to Palermo to return our hired car and to catch our flight to Pisa took place on one of the most beautiful days I have encountered and through marvellously Arcadian landscapes.  In January Sicily is at its greenest;

it is hard to imagine that by the torrid summer much of the island will be almost desert-like.

The first part of our journey took us past Mount Etna. It’s such a majestic volcano, crowned with perennial snows at its summit and yet almost constantly in eruption.

In fact at this very moment Etna has continued its fiery activities since August.

I remember as child staying on the top floor flat of my uncle and making out the red-hot vision of the crater. Almost as important as the weather was the topic ‘what is Monticello (the local name for Etna) doing today?’ Unlike Vesuvius, which explodes infrequently but violently (as in the destruction of the Roman city of Pompeii in 79 AD; the last major Vesuvian eruption was in 1944) Etna is more courteous to its human neighbours and lava rarely flows as far as the city of Catania although it has swallowed villages higher up. Eventually, however, the solidified lava crumbles leaving a fertile soil which produces the finest horticulture one could wish for. I remember visiting the orchards of my Uncle’s family doctor and being stunned by the lush vegetation and the abundance of fichi d’India (prickly pears).

Etna originated around two million years ago during the Quaternary era and at 10,912 feet high it is the tallest terrestrial active volcano of the Eurasian tectonic plate. My cousin was part-author of a Club Alpino Italiano book on the volcanic caves of Etna a geological feature I have yet to explore.

Europe’s most southernly glacier, in one of Mount Etna’s volcanic caves (Courtesy Catania University)

We met with more snow-capped mountains driving past the Nebrodi hills which rise to a height exceeding six thousand feet.

Our final Sicilian stop was at the coastal town of Cefalù with its magnificent cathedral-basilica dating back to 1131.

The apse is crowned by glorious mosaics in the characteristic Sicilian-byzantine style. The intention was to continue the mosaic decoration in the nave as happened at Monreale. I found however, that the mosaics were emphasised in their majesty by the approach via the almost bare nave.

As Goethe wrote in his ‘Italian Journey’: ‘Our visit to Sicily is now happily completed and will for me be an indestructible treasure for my whole life’. I could not agree more!

Mummy, mummy!

This December 13th  it will be exactly one hundred years ago that Rosalia Lombardo died of the terrible Spanish flu pandemic that followed the end of the First World War. She was just a few days short of her second birthday yet, at her final resting place in the crypt of Palermo’s Capuchin cemetery, I saw a child as uncorrupted and as lovely as the day she died, thanks to master embalmer Alfredo Salafia who used a mixture of one part glycerine, one part formalin, saturated with zinc sulphate and zinc chloride, and one part of an alcohol solution saturated with salicylic acid.

Little Rosalia has been thus preserved for all those who descend into the cemetery’s crypt to admire her. She is surrounded by almost two thousand other mummified beings who can never hope to aspire to her charms having had less artful embalmers work upon them.  Some have their skins eaten by insects revealing their naked skull beneath. Others have their formerly fine funeral garments rotting in ghostly tatters on their dessicated flesh.  Those dead who received no remuneration for their upkeep from the family’s descendants have been stacked on shelves, removed from their original positions. Even in the afterlife one can still suffer bankruptcy…

Some people may say what a horrible sight it is to step through the cold damp corridors of an underground catacomb and gaze upon petrifying and putrefying corpses. Yet a previous age did not see things quite like this. Originally it was only capuchin monks who were privileged to be mummified in this way and placed in the weird crypt.  However, among the Palermitani it became a status symbol to be embalmed and remain in the company of the religious fraternity and so, at the end of the sixteenth century, the practice began. It was only in 1881, after sanitary warnings, that it began to die out and it was little Rosalia Lombardo who was the last embalmed in this fashion. Looking at her sweet self I could hardly envisage Rosalia to be now buried in the damp soil and to see her rosy cheeks eaten by worms and her body to be turned into dust.

The ’memento mori’ awakened by the Capuchin cemetery is indeed pulsatingly vivid. All too often we fail to remember that, as Prospero says in Shakespeare’s ‘The Tempest’, “we are such stuff as dreams are made on, and our little life is rounded with a sleep”. Let us be reminded, however, that the only truly dead are those who have been forgotten. Even those upon whose sunken sockets one may still gaze today in Palermo’s cemetery are now mostly unremembered…

Stepping from the crepuscular gloom into the bright Palermo morning I visited the more conventional part of the cemetery with its marble tombs packed closely together. Among these I found the memorial of someone who will never be forgotten as long as humanity survives; one who encapsulates the Sicilian ethos better than most:  the enigmatic Conte di Lampedusa. Giuseppe Tomasi, the author of ‘Il Gattopardo’ – the Leopard (or more accurately, the Ocelot). With him lies his beloved wife Alexandra Wolff Stomersee of German Baltic descent, psychoanalyst by profession, whom he married in Riga and who survived the Count by twenty five years.

As Lampedusa said:

“Finché c’è morte c’è speranza”.

(As long as there’s death, there’s hope.)

Where Alexandra Began

This week-end, one year after her mother sadly died, my wife and I visited the church where her parents were married seventy three years ago.

We took the tube to Saint John’s Wood. The Grade II listed station preserves its original fabric including the Underground’s last wooden escalator illuminated by one of three surviving art-deco sets of bronze escalator uplights. The ‘way out’ sign is also unique. I’m so glad these features have been kept!

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We walked past Lord’s cricket ground to reach our destination.

Dedicated to Our Lady, the church was one of the first Roman Catholic places of worship to be built following the Catholic Emancipation Act of 1829.

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The building was funded by two sisters, Louise and Jessie Gallini, from the inheritance left them by their father, Giovanni Gallini. Born in Florence he had come to England as a refugee and had a very successful career as dancing master and impresario in London. (Among his friends were J. C. Bach and Haydn). I felt, since Sandra’s own father was also born in Florence and moved to London for his work, that this was a lovely coincidence.

The church of Our Lady was designed by John Joseph Scoles, a Roman Catholic architect, in what John Betjeman described as ‘Regency’ gothic style.

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(A old print of the Church of Our Lady)

It has a mellow brick exterior and a facade with a rose window:

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an entrance porch flanked by a rose bush:

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and a garden with the statue of the Virgin:

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My first impression in entering Our Lady’s church (only recently re-opened to worshippers with one-way system and social distancing to be respected during this pandemic) was that of a beautifully airy and luminous early neo-gothic building with a elegantly vaulted nave flanked by aisles of equal height.

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Indeed, Our Lady reminded me of those hall churches in northern Germany with the light coming from the side windows rather than from any clerestory.

The church is filled with several examples of contemporary art. These include fine glass panels representing scenes from Christ’s life:

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The font:

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and the main altar in the apse.

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However, Our Lady was not always like this. Its original plain appearance became richly embellished in the Victorian era as seen in this photo.

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The ornamentation was stripped back this century returning the church to its simpler, original atmosphere and enhancing its fine vaulting. Undoubtedly there will be some who will regret this change, especially the removal of the original High Altar and its replacement by something more contemporary. 

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Not having experienced the church as it was at the time of Alexandra’s parents’ wedding I can say little. I do feel, however, that it would have been better to have the East window displayed instead of covering it up.

We met Fr. Kevin Jordan the very personable parish priest and Sandra showed him a copy of her parents’ marriage certificate written in Latin.

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It becomes ever more essential in these rather socially disconnected times to visit those places which have played such an important part in our parents’, indeed, our own lives. They are truly holy places twice over.

The Ford on the River Darenth

Dartford, a town eighteen miles to the south east of central London, goes back a long way. Its importance arose because of the intersection of the river Darent with the main Roman road from London to Dover. Originally a market town and with some important industries Dartford has become a largely commuter centre for London. It’s also where the M25, London’s orbital motorway, crosses the Thames.

I visited Dartford last week on a very hot day (for UK standards, temperature was 28C) and wasn’t expecting too much from this town. I was, however, pleasantly surprised, even in these lockdown days. I had known Dartford from the time my wife had been conducting market research there and the only significant thing I can remember is entering a fine pub and buying a book from a charity shop. It was called ‘The Interrupter general’, the diary of an English language teacher in Italy, which inspired me to try work experience in that country– indeed, live more or less permanently there.

I travelled by train and at Dartford station there was this commemorative plaque on platform two. A promising start to my visit to the town, I thought.

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I soon found myself on an attractive riverside walk (nineteen miles in length and lereal ding to the Sevenoak hills) along the Darent River.

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Here the river is near  its outlet into the Thames and, contained between two cemented walls, is a far cry from the Darent I recollect in its idyllic pastoral setting flowing past the sweet village of Eynsford where there is a real ford I’ve traversed on my Honda Transalp motorbike.

Part of the riverside walk leads under an impressive (for the UK) vine. Unfortunately there was still no sign of any grapes on it:

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The riverside walk carries on to the high street which still retains something of its former glory as a market town and has a couple of half-timbered houses.

At one end of the high street is the parish church, of Holy Trinity, originally a 9th-century Saxon structure with later Norman additions and Victorian restorations all overladen with some excellently flint-knapped walls. Its site near the left bank of the Darent is quite picturesque. I was clearly unable to visit Holy Trinity’s interior so could not see the plaque commemorating Richard Trevithick, the pioneer in steam propulsion who lived and died in Dartford.

The High Street has an impressive mural depicting industries and activities that have formed present day Dartford. Some of the town’s key industries, including brewing, paper-making, flour milling and the manufacture of cement, have unfortunately declined in the twentieth century.

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The purity of the river Darent’s water,  filtered from its source in the chalk hills, has been very important for the paper-making industry. The name Darent  (often found written ‘Darenth’ in older maps) derives from the Celtic phrase ‘stream where oak-trees (dair) grow’. I thought of how a similar quality of the water from the Lima and Serchio rivers in the Bagni di Lucca region has given rise to its own important paper-making industries.

At the other end of the High Street is the Royal Victoria and Bull Hotel, a pub with an impressive galleried interior.  Some years ago this watering-hole served as the temporary headquarters of my wife’s market research company.

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Unfortunately, as with the church, the ‘Vic and Bull’ remained closed to the public. So both spiritual and secular solace were denied to me on this visit.

We once attended an excruciating production of ‘Jane Eyre’ at Dartford’s Orchard theatre. Hopefully it will be able to offer something superior when it reopens! There’s a ‘Mick Jagger’ cultural centre too. I wonder if the iconic star has since performed here as he did for Lucca’s summer festival in 2017.

I also remember a visit to the Dartford museum and library and seeing a fine exhibition commemorating our prehistoric Neanderthaloid ancestor Swanscombe man (actually it was a woman) whose 400,000 year old skull was uncovered in the nearby chalk pits.

There was also an urban farm we visited at Stone Lodge with a lovely collection of animals and ancient tithe barns. Unhappily this has since closed down.

stone

In the marshes to the north of Dartford were two large hospitals. One of them, the City of London mental hospital, housed the tragic composer and poet Ivor Gurney who was diagnosed as suffering from ‘delusional insanity’. Up to two-thirds of his musical output remains unpublished and unrecorded.

(Ivor Gurney 1890-1937)

In the mid-1970s, the future Princess of Wales did voluntary work at the hospital. The hospital buildings have since either been demolished or converted into luxury flats. Some of the buyers of these have resold as they complained about hearing strange screams and voices within the flats’ walls.

In the village of Gombereto, near Longoio, there is a family who originally lived in Dartford. When I asked the lady of the household why they moved there she replied ‘fancy bringing up kids in Dartford?’ Obviously she knew something about Dartford that I didn’t. However, I did have a very pleasant time in this Kentish town and all those I met were particularly courteous towards me.

London’s Mount Ida

Harrow bears the same sort of relationship to London’s Brent as Borgo a Mozzano to Bagni di Lucca; in both cases it’s the neighbouring borough. Harrow also bears a feature common to many Italian settlements: that of having an old town on a hill, the original centre, and a later ‘new’ town on the surrounding plain which, with the arrival of the railway, became the focus from the nineteenth century onwards.

Harrow, defined by writer John Betjeman as the ‘capital of metroland’ (the name affectionately given to the suburban areas built to the north-west of London in the first part of the 20th century and served by the Metropolitan line) has become a major shopping centre in recent years. We combined our visit there yesterday with a return journey through the old town.

Harrow-on-the-Hill’s high (for London!) location at 407 ft. (124 metres) and the current health crisis combined to enhance Harrow-on-the-Hill peaceful and village atmosphere. We found the high street remarkably traffic-free.

It was hard to believe that the first recorded road accident in the UK occurred here, as marked by the following plaque.

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Rich in historic architecture with old pubs (alas, now closed for the duration) and houses ranging from the charming to the imposing, Harrow-on-the-Hill is a great place to escape from the ‘great Wen’.

The town’s spiritual focus is the church of Saint Mary, possibly built on the site of a heathen temple. (Indeed, the word ‘Heathen’ and ‘Harrow’ are supposed to come from the same root).

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Founded in the eleventh century by Lanfranc, Archbishop of Canterbury in 1087, the parish church of the Blessed Virgin Mary was consecrated by the archbishop’s successor Saint Anselm in 1094.

We discovered the churchyard scattered with gorgeous bluebells and the juxtaposition of these flowers growing so near to some of the tombstones gave us a vibrant sense of life through death and renewed hope for the rather difficult times we are currently living through.

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Nearby is the famous public school and the churchyard also contains what ex-pupil George Gordon, Lord Byron called his ‘favourite tombstone’: the Peachy tomb, from which wonderfully expansive views extend to Windsor Castle and beyond.

By the tomb is inscribed part of the ‘mad, bad and dangerous to know’ genius’s poem “Lines Written beneath an Elm in the Churchyard of Harrow”. Here is the complete text from that early verse:

Spot of my youth! whose hoary branches sigh,
Swept by the breeze that fans thy cloudless sky;
Where now alone I muse, who oft have trod,
With those I loved, thy soft and verdant sod;
With those who, scattered far, perchance deplore,
Like me, the happy scenes they knew before:
Oh! as I trace again thy winding hill,
Mine eyes admire, my heart adores thee still,
Thou drooping Elm! beneath whose boughs I lay,
And frequent mused the twilight hours away;
Where, as they once were wont, my limbs recline,
But ah! without the thoughts which then were mine.
How do thy branches, moaning to the blast,
Invite the bosom to recall the past,
And seem to whisper, as the gently swell,
‘Take, while thou canst, a lingering, last farewell!’

When fate shall chill, at length, this fevered breast,
And calm its cares and passions into rest,
Oft have I thought, ‘twould soothe my dying hour,—
If aught may soothe when life resigns her power,—
To know some humbler grave, some narrow cell,
Would hide my bosom where it loved to dwell.
With this fond dream, methinks, ’twere sweet to die—
And here it lingered, here my heart might lie;
Here might I sleep, where all my hopes arose,
Scene of my youth, and couch of my repose;
For ever stretched beneath this mantling shade,
Pressed by the turf where once my childhood played;
Wrapped by the soil that veils the spot I loved,
Mixed with the earth o’er which my footsteps moved;
Blest by the tongues that charmed my youthful ear,
Mourned by the few my soul acknowledged here;
Deplored by those in early days allied,
And unremembered by the world beside.

 Allegra, the daughter Byron had from Clair Clairmont – who is herself buried in an Italian location well-known to us. See my post at

https://longoio2.wordpress.com/2016/02/29/claire-claremont-the-epilogue/

is buried in an unmarked grave outside, near to the south porch. It’s sad to recall that the hypocritical church authorities originally refused to bury the poor child here as, indeed, they refused to bury her dad. (Do read more about this tragic event in my post at

https://longoio2.wordpress.com/2016/02/28/allegra-con-spirito/

Nearby is the famous Harrow  School. It was founded in 1572 by John Lyon under a Royal Charter of Elizabeth I, and is one of the UK’s original seven public schools, another of which is Dulwich College where I was a pupil from the pioneering ‘Dulwich experiment’ aimed at admission from LCC schools to these somewhat exclusive institutions. What enlightened times then!

Squash, the sport – originally called ‘Squasher’ – was invented in Harrow about 1830 and spread to other schools, eventually becoming the international sport it’s now. In the salad days of our marriage we enjoyed a game in these original squash courts. Here’s a testimony to those times:

We also reminded ourselves that we’d once had ideas to purchase a property here. I wonder how much it would be worth today if we had!

Byron termed Harrow’s hill as his ‘Mount Ida’, after the mountain in Crete where Zeus, hidden from his avenging father Chronos, was brought up with milk from the goat Amalthea. Here’s another wistful poem he wrote:

 

On a distant view of the village and school of Harrow-on-the-hill

1.

Ye scenes of my childhood, whose lov’d recollection
Embitters the present, compar’d with the past;
Where science first dawn’d on the powers of reflection,
And friendships were form’d, too romantic to last;

2.

Where fancy, yet, joys to retrace the resemblance
Of comrades, in friendship and mischief allied;
How welcome to me your ne’er fading remembrance,
Which rests in the bosom, though hope is deny’d!

3.

Again I revisit the hills where we sported,
The streams where we swam, and the fields where we fought; The school where, loud warn’d by the bell, we resorted,
To pore o’er the precepts by Pedagogues taught.

4.

Again I behold where for hours I have ponder’d,
As reclining, at eve, on yon tombstone I lay;
Or round the steep brow of the churchyard I wander’d,
To catch the last gleam of the sun’s setting ray.

5.

I once more view the room, with spectators surrounded,
Where, as Zanga, I trod on Alonzo o’erthrown;
While, to swell my young pride, such applauses resounded,
I fancied that Mossop himself was outshone.

6.

Or, as Lear, I pour’d forth the deep imprecation,
By my daughters, of kingdom and reason depriv’d;
Till, fir’d by loud plaudits and self-adulation,
I regarded myself as a  Garrick  reviv’d.

7.

Ye dreams of my boyhood, how much I regret you!
Unfaded your memory dwells in my breast;
Though sad and deserted, I ne’er can forget you:
Your pleasures may still be in fancy possest.

8.

To Ida full oft may remembrance restore me,
While Fate shall the shades of the future unroll!
Since Darkness o’ershadows the prospect before me,
More dear is the beam of the past to my soul!

9.

But if, through the course of the years which await me,
Some new scene of pleasure should open to view,
I will say, while with rapture the thought shall elate me,
“Oh! such were the days which my infancy knew.”

 

Perhaps we should now write our own regretful poem on lost and misspent youth in the manner of Byron? Here goes then!

 

A Game on the Hill

 

Yet far from the shadow of age,

in the youth of our love

we played a delightful game

mid bluebell and foxglove.

 

With little care for the morrow,

with leaping energy

we enjoyed ourselves as twin lambs:

what divine memory!

 

Such an aching sweetness

from recalls I draw:

forever past, forever gone;

terrible Eternal law!

 

 

 

 

Una Cattedrale Sconosciuta di Londra

La cattedrale di Southwark a Londra si trova sulla riva sud del Tamigi vicino a London Bridge. È la chiesa madre della diocesi anglicana di Southwark. È stata un luogo di culto cristiano per oltre mille anni, ma fu dichiarata una cattedrale solo dal 1905; l’attuale edificio è in stile gotico e risale dal 1220 al 1420.

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Il primo riferimento al sito fu nel 1086. Il “Minster” di Southwark sembra essere sotto il controllo del vescovo Odo di Bayeux (fratellastro di Guglielmo il Conquistatore). La sua storia antica è oscura; esisteva una chiesa a sud di London Bridge. Nel 1106, nel regno di Enrico I, quest’ultima divenne un Priorato Agostiniano ed è qui che Thomas Becket predicò qui prima di partire per Canterbury, dove fu assassinato nel 1170.

La cattedrale di Southwark è il più antico edificio gotico di Londra ed è anche il luogo, dove i pellegrini iniziarono il loro viaggio sulla via Francigena per la tomba del Santo Tommaso Becket di Canterbury, così ben descritto nei racconti di Chaucer, e per i più arditi di proseguire il pellegrinaggio fino a Roma e la Terra Santa, passando, s’intende, a Lucca per adorare il Volto Santo.

Il poeta e amico di Chaucer John Gower, autore di ‘Confessio Amantis’, è qui sepolto in una vivace tomba:

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Ci sono altre tombe: di cavalieri, di saggi, di nobili…e di William Shakespeare che ebbe le sue commedie eseguite nel vicino Globe Theatre.

Questa volta non siamo stati a tempo a rivedere il gatto della cattedrale, chiamato ‘Doorkins Magnificat’, così bravo a tenere sotto controllo i topi e amato perfino dalla Regina, e che l’ultima volta, in occasione di un concerto, mi diede un’occhiata dalle tenebre dell’abside.

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Il gatto ha ora avuto un libro dedicato a lui che festeggia le sue avventure nella cattedrale ed è andato in pensione a casa del cappellano.

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D’interesse sono anche la fornace per terrecotte, tombe strade e una statua romana recentemente riscoperte.

I concerti di Southwark Cathedral sono ben noti. Nel 2017 siamo stati al concerto di Natale, dove ha cantato il coro della mia vecchia scuola, Dulwich College, e nel 2018 abbiamo ascoltato la sublime Passione di San Giovanni di Johann Sebastian Bach. sotto le splendenti volti della cattedrale e il suono del suo organo:

Southwark, insomma, è pieno di storia e continua, con il suo mercato, a essere un luogo molto affascinante della metropoli.

Sotto le volte

cantano voci eterne:

gloria del sole.

Nativity at Barga

The longest running presepe vivente (living crib) in our area and the largest is that of Barga, now in its thirty ninth year. The presepe is also the first of its type we saw when we arrived here over ten years ago and it was a lovely reminiscence to return to it just two days before Christmas.

The participants’ procession weaves its way through the mediaeval alleys of this proud little town in the Serchio valley and owes its immaculate organisation to local Enrico Cosmini.

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Around two hundred inhabitants took part in the presepe engaged in representing traditional crafts. They came from Barga and the surrounding villages of Pegnana, Sommocolonia, San Pietro in Campo, Tiglio, Castelvecchio, and Filecchio. Here are some of them weaving, grinding maize, teaching at the school, doing carpentry and beating sacks filled with chestnuts to remove the husks.

A great tradition of the presepi is the appearance of zampognari, or bag-pipe (zampogne) players – shepherds descending from the hills to play before the infant Christ. After all it was they who saw the great host of angels announcing the Virgin birth and it is a custom practised to this day even in the centre of the Roman Catholic church in Rome and something enshrined to glorious musical effect in such works as Handel’s pastoral symphony from his ‘Messiah’ and Corelli’s Christmas concerto.

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We stayed for the arrival of the Holy Family accompanied by their donkey.

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They finally reached Barga cathedral where a rocket was fired from the bell tower representing the comet, accompanied by the sound of bells and the arrival of the Three Kings.

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There was one more day before Christmas and what we did on that evening will have to wait for the next post!

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