A Place in the Country

There are a total of 1121 UNESCO World Heritage sites – places which are essential witnesses to the cultural and natural history of our planet and which are, therefore, deemed of the highest importance. Of these Italy has the most: fifty cultural and five natural sites. More particularly it’s the Lombardy region which has the highest number – over ten – somewhat unfortunate in view of the current pandemic sweeping the world and which this part of Italy holds the highest number of quarantined towns.

Cultural sites include such tourist favourites as the historic centres of Florence, Naples, Rome, Pienza, Urbino, Siena, Verona, Vicenza, Genoa, San Gimignano, Ivrea (a fine example of twentieth century town planning), the baroque towns of Sicily like Noto and Ragusa, Mantua, Sabbioneta, Syracuse, Matera, Alberobello and, of course, Venice.

No Lucca? Our local big town is still on the second, ‘tentative’, list of sites which also includes the historic centres of Parma, Volterra and Orvieto. Of particular interest for those living in our area of Tuscany is part of the Via Francigena, the old pilgrim path from Canterbury to Rome, Bagni di Lucca which makes up one of the great spa centres of Europe, together with the UK’s Bath and the Czech republic’s Carlovy Vary, and the marble basin of Carrara.

I’m not too sure how one gets promoted from a tentative to a permanent world heritage list but I’m sure that it won’t take too long for Lucca to get there.

In 2013 an addition to Italy’s list of world heritage sites were the Medici villas and gardens of Tuscany. These are rural dwellings originally founded by the Medici to serve three purposes: defence outposts to protect their territories, summer retreats, and agricultural centres supplying food and wine for the Medici court.

Twelve villas and two gardens make up the list of villas. Most of them are placed around Florence’s hills but there are four fine examples near Lucca including one that’s regularly opened to the public: Serravezza.

This week we found ourselves in Florence’s environs and were able to visit one of the Medici villas, perhaps together with that of Poggio a Caiano, one of the grandest: Villa la Petraia.

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Dating originally from the fourteenth century the villa was expanded by Cosimo I de Medici and its garden embellished by terraces constructed with stone excavated from the surrounding land (hence its name: ‘pietra’ means stone). These gardens were enhanced by beautiful lawns of anemonies when we visited it.

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Eventually La Petraia became the property of Victor Emmanuel II, the first king of a newly united Italy, who added an elegant iron glasshouse structure over the inner courtyard (elaborately frescoed by Volterrano) turning it into a spacious ballroom for the reception party of his son’s engagement to Blanche de Larderei.

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Around this courtyard are the state rooms which range from the grandeur of the dining room to the intimacy of Rosina’s (the king’s lovely morganatic wife Rosa Vercellana) boudoir.

I was particularly fascinated by the games room which also included an early pinball machine.

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The paintings decorating the walls of this luscious villa comprise the lunettes painted by Giusto Utens at the start of the seventeenth century and showing fourteen of the Medici villas including La Petraia. These valuable insights into the villas’ past also show the Villa of Pratolino which was demolished in the nineteenth century.

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The remaining service buildings were subsequently refurbished by the Demidoff family, famous in Bagni di Lucca for the hospital they built. I was amazed to find the lunettes at this villa for formerly they had been exhibited in the ‘Firenze com’era’ museum which is now closed.

La Petraia is open free of charge most days and visitable only in accompanied groups. More details are available on its web site at http://polomusealetoscana.beniculturali.it/index.php?it/185/firenze-villa-medicea-della-petraia

A Puffing Billy in Florence?

I was promised a surprise by my wife when I visited Florence’s Careggi hospital this week for a check-up. I thought the surprise might be the magnificent propylaeum-style entrance, with its fine array of tall slim columns and the expanse of the water basin, designed by the Ipostudio group of architects, inaugurated in 2010 and uniting the hospital group, commenced in 1912 to replace the six hundred year old Santa Maria Nuova Hospital.

Instead the surprise was this steam locomotive dating from the end of the nineteenth century, made by the Marshall firm in the UK, recently restored and now gracing the piazza of the portico.

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The locomotive made a striking contrast to the trams which now connect the hospital to Scandicci.

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20200226_161503Originally built to power farm machinery such as threshers the venerable machine was brought back into service in the energy-lean years at the end of World War Two where it generated electricity for the hospital.

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It was lovely to come across this piece of the past and see it given a place of honour at Careggi hospital. After all, the Marshall steam engine also played its part during difficult times in helping doctors and nurses to heal the sick.

Happiness is a Carnival Game

Carnivals are in full swing in Italy at this time of year and bridge the gap between Christmas and Easter festivities. If you follow my blog you’ll know that I’ve written several times about this fabulous event when children and adults join together and have fun dressing up, participating in fantastic floats and, hopefully, winning the prizes for the best display. As many of you will know the word ‘Carnevale’ means ‘farewell to meat’ for the festivity is a final fling before the forty days of Lenten fasting. In the UK, pancake day (next Tuesday 25th February) is celebrated here as Martedì Grasso (mardi gras) or ‘fat Tuesday’ – the day before Ash Wednesday.

Here are just a few posts I’ve talked about ‘Il Carnevale’ in:

https://longoio2.wordpress.com/2015/02/07/its-carnival-time-again/

https://longoio3.com/2019/03/06/over-the-moon-at-fornolis-carnival/

https://longoio3.com/2018/02/14/fabulous-fun-at-fornolis-carnival/

https://longoio3.com/2018/02/02/bagni-di-luccas-three-carnival-venues/

https://longoio3.com/2018/01/29/its-carnival-time-in-viareggio/

https://longoio3.com/2019/02/17/enter-the-spirit-of-il-carnevale-at-bagni-di-lucca/

https://longoio3.com/2018/02/22/loads-of-bread-and-confetti-at-bdls-casino/

https://longoio3.com/2018/02/15/korea-in-lucca-and-lucca-in-korea/

https://longoio3.com/2018/01/30/viareggios-bubbleman/

Viareggio holds the biggest and best carnival in our part of the world. However, there are many minor carnivals held in local villages. On Sunday, for example, we attended Valdottavo’s ‘Carnevale’. The floats were brilliantly imaginative for such a small place and fun was truly had by all, especially the children of course!

 

(Photos courtesy of Alexandra Cipriani)

All these local carnivals are free and have an intimacy which the Viareggio event, although stupendous, doesn’t quite have.

This Sunday, starting at 2 pm, Fornoli will have its very own special carnival. Organised by Marco Nicoli’s wizardry and the local Mammalucco association its theme will be the Olympic Games. I wonder what the floats will reveal. As usual it’s going to be really difficult to decide on the winner and, as a member of the jury, it’s going to be a tough choice for me!

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Be there if you can! The weather will be fine too….

 

Calling All Wireless Set Lovers!

The fortress of Mont’Alfonso which crowns the hill dominating Castelnuovo di Garfagnana was in a sorry state not so long ago. Slowly crumbling away its only use was as a local’s small-holding complete with geese and goats.

Happily, thanks to EU money, the fortress has recently undergone an extensive restoration project: its walls are once again magnificently impressive and its guardhouses and gatehouses have been excellently reinstated.

Mont’Alfonso now hosts several events ranging from food initiative to beauty contests to art shows to car rallies. One of the most memorable of the events we have attended was that dedicated to the great Italo-Argentinian composer and creator of the Nuevo tango Astor Piazzolla whose family it was lately discovered originated from a village in Castelnuovo comune, that of Massa Sassorosso. This gorgeous event with live music and a barbecue is described in my post at

Don’t cry for me Sassorosso

The fortress was built as a garrison of the Duchy of Ferrara to defend the border with the Republic of Lucca. Constructed between 1579 and 1586, it was an Este military garrison in the 16th and 17th centuries and during the Napoleonic period (1805 – 1814) was part of the Principality of Lucca and Piombino.

The fortress was sold back to the Este property in 1814. At the beginning of the twentieth century it passed into the hands of private individuals. The fortress, which had already deteriorated over time, was further damaged by the appalling earthquake that hit the Garfagnana in 1920.

It was only from 1980, that an impressive restoration project has been carried out on the fortress greatly contributing to the cultural and economic revitalization of the upper Serchio valley.

The fortress is also planned to become an important alternative energy research hub rather like the one we visited in Wales: the Machynlleth alternative technology centre.

We found out another use for the fortress yesterday. After attending Santa Croce hospital Castelnuovo we visited Mont’Alfonso. It was a bleak foggy day and we were the only visitors present. In the ‘casa delle arcate’ – the former officers’ mess – we discovered an astounding museum dedicated to vintage wireless sets. It was truly a delightful discovery for us radio hams.

“Radio: Voice of History” is the title of the exhibition of over eighty rare and precious pieces, part of the collection donated by a certain Armando Goldoni. The utterly captivating and certainly nostalgic presentation is a sort of itinerary of the history of radio from its golden years of the 1920s through to the 1960s and from the first ‘crystal sets’ to the sophistication and fashionable design of an item which, before television was certainly the centre-piece of the domestic scene.

(All photos courtesy of Alexandra Cipriani)

The display aims at highlighting not only the technological and aesthetic evolution of the ‘wireless set’, but also its social and cultural function. From being a novelty in Italian homes it spread rapidly throughout the country becoming the first mass communication medium, used for news, political propaganda, both popular and classical music and sports commentaries.

There’s also a section, recounting the contribution of this area of Garfagnana to the history of radio through Francesco Vecchiacchi (1902-1955) who was born in Filicaia, a hamlet in the municipality of Camporgiano. Francesco worked at Magneti Marelli (which still exists today as a major automotive firm manufacturing car dynamos and electronic components), where he took over the direction of the Radio Laboratory directing his research towards new achievements in electronic technology, the transmission of radio signals through radio links and inventing, during the Second World War , innovative radar systems.

The free admission exhibition is open to visitors from Monday to Friday from 9 to 1 pm; on Tuesdays and Thursdays, in addition to the morning, also from 3 pm to 5 pm at other times by appointment only.) More information can be had by phoning 0583 – 643201 or emailing montalfonso@provincia.lucca.it.

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Italy’s Futurist Architecture

In Peter and Linda Murray’s ‘Dictionary of Art and Artists’ (first published by Penguin books in the 1960s) futurism gets a rough ride, being described by them as one of the dullest and most mediocre of all artistic movements.

Opinions have changed a little bit since then. Yet futurism poses considerable problems even today, particularly with regard to its prevailing ideology of violence, speed, destruction of tradition, espousal of war as a method of social hygene and extreme right wing views such as fascism.

Futurism did champion the latest technology including aeroplanes, power stations and motor cars.  However, its repudiation of previous artistic movements as largely worthless remains quite unacceptable today particularly since concepts such as conservation and preservation have assumed critical importance.

Possibly the most original notion of the futurists was to publicise their movement through manifestos laying down their axioms. No other artistic association had ever done this before, not even the impressionists.

Futurists were keen for Italy to enter the Great War and regain homelands. Sadly, two of their most gifted exponents, Boccioni and Sant’Elia, lost their lives in the bloody conflict. I was especially keen to see Sant’Elia’s original drawing of his ‘ideal city’ at the recent, superbly organized, Palazzo Blu exhibition devoted to futurism at Pisa, since this prophetic architect has very few completed buildings to his credit, although his images inspired a new generation of Italian architects including Michelucci, chief designer of Florence’s fabulous Santa Maria Novella railway station, perhaps the finest example of futurist architecture.
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Antonio Sant’Elia was born in 1888 in Como.

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In 1903 he completed his technical studies and in 1906 graduated as master builder. Becoming friends with the sculptor Girolamo Fontana and Carlo Care Sant’Elia attended cultural environments such as the Caffè Cova where he met Umberto Boccioni. His first major commission was the Villa Elisi in San Maurizio near Como in 1911.

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In 1913, Sant’Elia opened an architectural studio in Milan and designed the tomb for Gerardo Caprotti in Monza’s Urban Cemetery.

In 1914 he presented his drawings for an ‘Ideal City’. Among these were designs for an airport, a train station, and a power plant. In the same year Sant’Elia contributed to a “Manifesto of Futurist Architecture”.

In 1915, sharing the ideas of the other futurist exponents, he joined the army together with Boccioni and Marinetti.

In 1916, after receiving a combat medal, Sant’Elia was commissioned to design the cemetery of the Arezzo Brigade, in Monfalcone. On October 10, while the cemetery was still under construction, he was killed in action.

The general theory of the ‘Ideal City’ is encapsulated in this sentence from the 1914 manifesto:

“We must invent and rebuild the futurist city similar to an immense tumultuous, agile, mobile, dynamic construction site in every part, and the futurist house similar to a gigantic machine”.

In France Le Corbusier conducted a parallel development with the concept of the ideal city in his ‘Cité Radieuse’ which postulated the demolition of the traditional urban layout of Paris and its replacement by vast areas of tower blocks and highways. We all know what this dystopic vision has led to in those cities where a degenerated version has created severe social problems. However, it’s odd that the drug-infested, knife-crimed UK tower blocks are now pointing to similarly-silhouetted exclusively-luxurious tower blocks; just witness the abhorrent developments along the south Thames waterfront at Battersea. Perhaps the fugacious ‘ideal city’ concept lives on still?

However, Sant’Elia deserves credit for having sensed the close dependence between architectural and urban problems on which the planning and reflection of all modern architectural movements has been set.

 

 

 

 

 

A Lake and a Chapel in Winter

Yesterday, on a bright and mild winter’s day we explored Casoli’s hinterland. Casoli is a delightful village situated in the upper reaches of the Lima valley. True, every village in the Val di Lima has its own special characteristics and it would be quite wrong to single any one out as the prettiest in the valley. However, for me Casoli (not to be confused with the Casoli above Camaiore) has some very special features including the remains of a castle, a prehistoric observatory, stupendous views and beautiful surroundings.

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When I first arrived here Casoli, together with Lucchio and Gombereto held a medieval festa. Indeed, they cooperated in the publicity of each other’s events issuing one leaflet with all three names on it. Sadly all three of these festas are now no longer held.

The first part of our walk took us  through a magical chestnut forest bare of its leaves with ent-like trees that almost seemed to walk with us in the stillness.

The path took us to an ancient chapel with a revered fresco by an unknown artist.

 

Unfortunately, since the chapel is deconsecrated and not used for any local religious rites (formerly there used to be an annual procession to it) it now seems to be used just for storing building material and a ladder had been placed right against the fresco on my previous visit to this area. Luckily this time I was able to photograph the sweet Madonna and child  without any impediments.

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Casoli’s lake, grandly called ‘Lago’, is really a large pond or ‘laghetto’. It fills a depression rather like a Welsh cwm and is clearly glacial in origin. It’s the only significant lake in our valley.

To see other lakes one has to go over the Apennines at Foce di Giovo where the Lago Santo is situated. Casoli Lake must surely have been much larger once. Approaching the ‘laghetto’ across the greenest of meadows one reaches an area of characteristic wetland plants. I especially like the bulrushes. At this time of year the lakelet is at its most visible as these photos taken by my wife show.

I’m glad that I’m at last able to undertake these walks after major surgery last month. The beauty of nature, even in its denuded winter state, strikes me, with even greater resonating power than before.

 

Dis-associations of Sensibility?

It’s a truism to say that every country has its own characteristics. That’s part of the joys of travelling. I love the diversities of our planet – I certainly don’t try to find a McDonald’s in Amsterdam if I’m hungry (like someone I know) or seek out a pint of Abbott in Madagascar if I’m thirsty. Occasionally I might have longings for baked beans on toast in Tuscany, only to find that ‘fagioli a l’uccelletto’ presents a much worthier alternative. At its worst our facing of different ways other countries have of doing things leads to that indefinable phenomenon of ‘culture shock’.

When my mother came from a war-ravaged Marshall-plan-aided northern Italy to a post-war United Kingdom drizzled in unprecedented depths of austerity and greyness she was clearly culturally surprized by the diversity and characteristics she encountered in the former Roman Empire’s province.

My mother’s visit was ostensibly a study one – to learn one of the world’s supremely illogical but most widely spoken languages: English but it soon ended in her pregnancy, her marriage and….me.

The things that struck Vera about the UK were both positive and negative. The most noticeable related to children’s upbringing. In Italy ‘mammismo’, or being tied to mum’s apron strings until well into one’s thirties (and often beyond), is still the trend (although more rapidly changing now since young people have resigned themselves to travel further from the family nest to find jobs – London remains a particularly sought-after destination and Italian is regularly heard spoken by passengers on many bus routes, the 176 and the 12 in particular. My mother greatly admired the independence English parents gave to their children. Sadly the situation has changed considerably from my own childhood when I could cycle freely around London in my early teens not only going to school but swanning to locations far from South London’s Forest Hill such as Waltham Abbey and Saint Albans – only to be ticked off if I arrived home late.

Although my mother came to enjoy the gentle landscapes of the North and South Downs she greatly missed the mountains of Italy. I remember one late afternoon with her in Lewisham high street when she suddenly became very emotional, confounding the formation of clouds for alpine peaks. (My mother had been a lover of the Alps, so easily within reach of her birth town, Milan, in particular the Bernina range which she had climbed from the rifugio Marinelli, an area I myself visited when barely a teenager.)

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(The Bernina Range a few years ago. I wonder if the summer snows are still there)

This longing for mountains, this yearning for their ecstatic profiles of empyrean heights is something I wished for and something which I re-encountered when lunching with some of my Italian ex-students from City University. On that occasion we both praised and trashed the UK: from the ‘Daily Mail’ reader to the absence of mountainous landscapes to the poor sartorial tastes of so many of the island’s denizens to inferior quality of buildings to the absence of reliably acceptable eateries.

There has always been a time of my life when I have had a need to get to the top of hills and mountains, whether they be in Italy, Switzerland, Wales or Ireland.

(The Quirang and Stac Polly)

Perhaps that’s why I’m living in the most mountainous area of Tuscany.

As a social worker for the first part of her working life in the UK (mainly in the field of mentally disturbed Italian emigrant workers) my mother naturally involved herself in the dynamics of everyday social life. I recall an instance when there was a fight in the yard of my primary school (Dalmain Road). Two boys, beating and kicking each other to the ground were surrounded by a circle of mums coming to collect their children. My mother was horrified by the fact that the parents appeared to be just gazing at the event without anyone stepping in to stop the fracas.  She reacted, angrily exclaiming ‘will no-one stop this?’ At this stage the other parents did react, the boys were separated and the fight stopped.

As someone brought up in the Roman Catholic religion my mother was not a particularly devoted practitioner but she absolutely detested what had happened to Catholics under the apostate reign of the loathsome Henry VIII. She carried sentiments akin to those wonderful lines in that Shakespeare sonnet which ruefully describes ‘bare ruined choirs where late the sweet birds sang’.

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(A family visit to Tintern Abbey)

The site of the dissolved monasteries of so many parts of Britain, in particular the abbeys of Yorkshire and Canterbury with its associations with Saint Augustine (my mum’s own middle name was ‘Agostina’) filled her with both wonder and sadness. She happily sought out religious fraternities re-established as a result of the nineteenth century Catholic emancipation act; I evoke visits to the Verona fathers (formerly at Tulse Hill) and other associations. In particular, Vera followed with the greatest interest the refounding of Aylesford friary which we saw from a derelict ruin with a handful of monks to the flourishing centre of religious devotion it has become.

Most of all was my mother’s long-term relationship with the former Italian Hospital in Queen square founded in 1884 by a prosperous Italian business man Commendatore Giovanni Battista Ortelli in and originally manned (or nunned?) by the The Sisters of St Vincent de Paul.

(Sadly the hospital closed in 1990 but happily the building is currently undergoing major remodelling and refurbishment to bring it back into clinical use and will reopen in spring 2020 as the Great Ormond Street Hospital Sight and Sound Centre, accommodating out-patient clinics for ophthalmology, audiology, ENT and related services).

I suppose these interests have continued with me. The English reformation remains an event of immense Taleban-like horror to me: its wanton destruction of magnificent gothic architecture, its burning of great polyphonic music, its obliteration of holy sites, its list of martyrs of both sides of the great divide all point to a particular malign manifestation of the disassociation of sensibility which the poet T. S. Eliot avers descended upon the UK during the succeeding century. It was then that the superb artistic flair of mediaeval Britain, the celebrated ‘opus anglicanorum’ was severed from its association with continental Europe and largely disrupted, vandalised and destroyed in the British Isles. Indeed, it’s paradoxically in places like Pisa museum and the Uffizi that some of the finest English pre-reformation art may still be admired for it was exported to all areas of Europe and therefore survived in a similar way that the great monuments of Nineveh have survived the wrath of iconoclasts by being exported to places like the British museum…

Who sensibly cannot help thinking that the present maniacal foreign policy being pursued by the United Kingdom’s government as a response to an outdated and unfair electoral system is another re-incarnation of the love-hate affair with those living on the other side of ‘La Manica’ (the ‘sleeve’ – the name Italians – and other continentals – give to what is generally known as ‘the English channel’) and particularly encapsulated in the personality of my mother and continued in my own beliefs.

 

Bagni di Lucca’s CineClub

One of the best ways of learning Italian is to watch Italian dialogue films with the help of English language sub-titles. There has been a long tradition of cinema going in Italy; television didn’t arrive until 1954 but, although the impact on cinema attendance has been considerable, it has been less drastic than in several other Europeans countries. I can still remember once-long queues outside cinemas in south London with scarlet-coated commissioners. Inside the often beautiful but faded art-deco movie theatres one was guided by usherettes with their torches. During the interval between the ‘A’ and ‘B’ movies the usherettes would appear with trays  selling popcorn,  Walls ice cream and Kia ora fruit juices.  The back rows would be left to the domain of snoggers and courting couples while smokers would be positioned on the left side of the seating. All this is but a dim memory although South London’s Cinema museum which we visited last year brings so much of it back…and in the part of London where Charlie Chaplin was brought up. (Do read my post on this evocative museum at https://longoio3.com/2018/08/26/10670/)

In the UK many of these movie houses have regrettably been demolished while others have been converted into religious centres. (Witness the ‘New Wine Church’ on Woolwich, formerly a futuristic thirties Odeon – I still remember seeing ‘Titanic’ for the first time there). In our part of the world there are a handful of cinemas in operation although sadly here too several have been closed down. This is the case with Ghivizzano where we managed to see a Benigni film around 2007.

Cinemas still exist in Barga, Fornaci di Barga and Castelnuovo di Garfagnana but the only way of enjoying the silver screen in Bagni di Lucca is to attend the ‘Cineclub’ in the borough library on Thursdays at 9.15 PM. Bagni may have had a cinema once (I suspect it was in the Teatro Academico) but the Cineclub, now in its eleventh year, is an excellent way of making up for this deficiency.

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Here is this year’s programme which runs until 12th March. In particular, the films celebrate the birth centenary of the great Fellini besides concentrating on current issues like immigration (5th March) and family relationships.

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I leave you to decipher the titles of any English versions of the films. Enjoy!

 

 

 

Local Restaurants for your Pets

Pet-friendly restaurants in our area of Mediavalle and Garfagnana are often sought out by friends and trekking partners. In such a beautiful area of walking country many like to take dogs to accompany them and, indeed, if trained properly, dogs can be invaluable in helping walkers in difficulty in often treacherous mountain paths.

There are no laws in Italy specifically banning dogs from entering restaurants; it’s very much up to the discretion of the proprietor and that’s where the problem starts. Some friends of ours, who have a very placid and intelligent dog, were welcome with her to a trattoria in the upper reaches of Palagnana only to be less than welcomed with the same animal a second time. There must be places which can assure customers a consistent welcome or their animals and, indeed, there are. On the web site www.ascadellavalle.it I have found a list of places where one can eat not only well but also be guaranteed a welcome for their pets too.

Here is a list of pet friendly places in the stretch of our Serchio valley from Bagni di Lucca to Piazza al Serchio. I should state that we do not have a dog and that we have not visited or eaten at all of them (the ones we have eaten at are underlined). I am, however, dividing them into (1) Pizzerie and (2) restaurants and trattorie that serve local delicacies:

Pizzerie:

Pizzeria Location Tel
La Bionda Gallicano 0583 641355
Trovaposo Fornaci di Barga 0583 757726
Il Buongustaio Piano di Coreglia 0583 779346
Es Vedra Fornoli (Bagni di Lucca) 339 491 9880
Il Nido dell ‘Aquila Gallicano 0583 709999

 

Trattorie and restaurants

 

Osteria / Trattoria / Restaurant Location Specialities Tel
Il Rondone Fornovolasco Typical Garfagnana cuisine

 

0583 722018
Il Pozzo Pieve Fosciana Homemade pasta, mushrooms and grilled meat 0583 666380
Giro di Boa Barga fish specialties and themed dinners 347 003 0700
La Pergola Barga fish dishes 0583 1921681
Davy’s Café Camporgiano land and sea dishes, themed nights 0583 600465
Al Ritrovo del Platano Gallicano grilled meat 0583 689922
L’Osteria Barga Local cuisine 335 538 7113
Quadrifoglio Piano di Gioviano spaghetti with seafood 0583 833254
Il Ristoro del Venturo Castelnuovo di Garfagnana steak (local) 0583 65605
La Bionda Fornaci di Barga typical cuisine, gluten-free, seafood menu 0583 75624
L’Altana Barga home cooking 0583 723192
Scacciaguai Barga truffle specialties 0583 711368
Da Sandra Fabbriche di Vallico homemade tordelli 0583 761712
Al Romanzo Barga steaks 328 574 772
Il Flamingo Ponte all’Ania grilled fish and meat specialties 0583 730326
Al Barchetto Turrite Cava (Gallicano) fish specialties 0583 75495
Robur Bar Cardoso (Gallicano) fish menu 347 143 5758
Elisa Barga Local specialities 0583 572502

I am quite sure that our cats would enjoy the fayre at several of these eateries. Becoming ever more popular in the world are cat cafes where customers can release the day’s stress by drinking a cappuccino with a tabby cuddled on their lap. There are none of these around our area although there are several bars with friendly cats prowling around unofficially. There is, however, a web site at https://thefashionplatemag.com/how-to-shop-sustainably/milan/for-pet-lovers-cat-cafes-in-italy/ which lists some popular cat cafes in towns like Turin, Milan and Rome.

I have not found any places where such animals as crocodiles are welcome (maybe because they’ve gobbled up most of their customers) although I look forwards to those where pet pigs and lamas are at home. Nevertheless I would certainly avoid those eateries that welcome blue-bottles and wasps in their precincts!