Santa Celestina: a load of hot air?

It was over ten years since I last witnessed the launch of Santa Celestina’s balloon. I wasn’t going to miss her this year!

The Balloon of Santa Celestina is made of paper and powered only by hot air. It’s launched every year around September 8 at San Marcello Pistoiese on the occasion of Santa Celestina, patron saint of the Pistoia Mountains.

Celestina was a third century martyr decapitated by the emperor Valerian, notorious for having dispatched more women than any other Roman emperor. Celestina’s remains found their last resting place in Gavinana and in the church of San Marcello Pistoiese, the busy little market town and holiday resort on the ‘high route’ between our Val di Lima and Pistoia.

 

In 1832 Tommaso and Bartolomeo Cini, during a trip to France and Switzerland, met Elias, son of Joseph Montgolfier, the inventor of the hot air balloon. Returning the visit in 1835, Elias Montgolfier gave Cini, owner of a paper mill of La Lima, a formula for the production of hot air balloon paper and a plan for their construction.

The launch date of the first balloon goes back to 1838 on the occasion of the solemn religious procession in honour of Santa Celestina. The colours chosen for the balloon were those of the Civic Guard flag of which Bartolomeo Cini was commander: green, white and red arranged horizontally (incidentally, the same colours of the Italian flag). These colours are used to this day.

Tradition says that if the balloon goes higher than the church’s bell tower it will be a lucky year for the whole mountain area, otherwise it certainly won’t….

And if the balloon catches fire through the brazier flames then it will be really doom and gloom!

We held our breath in the packed central square. The day was absolutely glorious. The balloon gradually inflated to its full, grand size.

 

I was allowed to take a peek inside the monster. It was terrifyingly hot in there!

 

Then the team held onto the balloon’s rim, crouched down, slowly lifted themselves up, held their hands high and…let go.

 

The moment the balloon left the earth to wend its way up into the bluest of skies felt quite emotional.

 

Luckily for us, the launch was very successful. The old-timers said it was the best they’d seen for years.

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We are, therefore, ensured a prosperous year ahead…at least in our mountaineous part of the world!

 

Some facts about the balloon for the technically minded:

It’s made of 24 strips of paper glued together. It is 15 metres high with a circumference of 30 metres, a total volume of 450 cubic metres and a weight of about 100 kg.

Lucca: Italy’s Protestant Haven.

It’s not often realised that the supposedly historically clear-cut distinction between a Protestant northern Europe and a Roman Catholic southern Europe is not that clear-cut at all. For example, in Britain, Roman Catholic families, known as recusants, have never abjured their original faith since the great split the reformation created in the Christian faith.

Indeed, some of these families have retained high positions among the English nobility to this day; for example, the Duke of Norfolk, the first duke of the peerage, is the Queen’s (who is also head of the Church of England) second cousin. His main seat is at Arundel castle, Sussex.

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Arundel also possesses one of Europe’s finest Roman Catholic cathedrals.

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In Southern Europe, conversely, many Roman Catholic communities renounced Papist doctrine to form their own protestant sects. Indeed, the first signs of Protestantism were felt as far back as the 12th century with the Waldensians.

The Waldensians take their name from a merchant from Lyons called Valdo, who around the year 1170 sold his assets and began to preach the Gospel to his fellow citizens with the idea of renewing the church. The Catholic hierarchy reacted by excommunicating him. (Later Saint Francis of Assisi decided to follow the same life of poverty, but the Roman Catholic Church acted rather differently and accepted his order of friars).

The followers of Valdo continued their preaching despite being excommunicated, forming small communities forced, because of constant repression, to lead a clandestine existence. Their faith was inspired by the Sermon on the Mount and its fundamental tenets: the rejection of violence, the Roman Catholic oath of allegiance to the Pope, and the association of the church with political power.

Despite violent persecutions and the ruthless work of the Inquisition, the Waldensians kept their faith throughout the middle Ages. The areas where they largely settled were the Western Alps, Provence, Calabria and southern Germany.

Thus, both recusants in northern Europe and Protestants in southern Europe regrettably had their fair share of martyrs and for centuries had to practise their faith behind closed doors – hence the number of priests’ holes found in aristocratic English country homes and the secret locations of protestant sects in Italy.

Coughton Court, a National Trust property in England and home of the recusant family of the Throckmortons, has a whole secret section where Holy Mass could be celebrated:

Milton, during his visit to Italy in 1638, was fully aware of the situation and heard of the terrible massacre of the Valdensians by the troops of Charles Emmanuel II, Duke of Savoy in Piedmont  in April 1655,

As a result Milton wrote one of his finest and, certainly, most angry sonnets: “On the Late Massacre in Piedmont”.

Avenge, O Lord, thy slaughtered saints, whose bones
Lie scattered on the Alpine mountains cold,
Even them who kept thy truth so pure of old,
When all our fathers worshiped stocks and stones;
Forget not: in thy book record their groans
Who were thy sheep and in their ancient fold
Slain by the bloody Piedmontese that rolled
Mother with infant down the rocks. Their moans
The vales redoubled to the hills, and they
To Heaven. Their martyred blood and ashes sow
O’er all th’ Italian fields where still doth sway
The triple tyrant; that from these may grow
A hundredfold, who having learnt thy way
Early may fly the Babylonian woe.

Lucca played an important part in preserving emerging protestant and, especially, evangelical ideas. Indeed, it welcomed the Waldensians as it welcomed Protestantism.

Thanks to enlightened rulers and to the establishment of a press which printed one of the first bibles in the Italian language and thanks also to the mountainous area of the Garfagnana surrounding the city to the north, Lucca has historically been more generous to those of evangelical faith than most other areas of Italy. Even here, however, papist power used to make life for Protestants in Lucca almost impossible.

The Diodati were a noble family and had the Orsetti palace built for them by the great Luccan sculptor and architect Nicolao Civitali. However, despite the fact that, in the Republic of Lucca, the Protestant reform saw the adherence of a considerable number of citizens, including members of the aristocratic ruling class, the Diodati were forced to leave for Geneva because of their belief in the Protestant Reformation. (The palace is now seat of Lucca’s mayor, Alessandro Tambellini, who kindly showed us round this magnificent building – see my post about this at https://longoio2.wordpress.com/2017/03/28/a-meeting-with-the-mayor-of-lucca/)

The reason for the Diodati’s exile was that the Pope, suspecting what was happening in the Republic, began to exert diplomatic pressure on the government of Lucca. Lucca always rejected the Inquisition and the Jesuits, but fearing that the Pope and his army might invade Lucca, many distinguished Protestant Lucchese left the Republic. Fortunately none suffered physical violence but, rather, were helped by exiled Lucchesi.

Exiles included Michele Burlamacchi (1532-1590), Benedetto Calandrini, Pompeo Diodati, Michele Burlamacchi and his wife Chiara Calandrini, Teodoro Diodati (1573-1650) who studied medicine in Leiden, and moved to England, where he became a member of the Royal College of Physicians in 1616. Among Teodoro’s patients was Prince Henry, the heir to the British throne and a brilliant young man.

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Prince Henry lived at Charlton House in the borough of Greenwich, London with his tutor Adam Newton but sadly died of typhoid fever aged only 18, a real tragedy for the nation.

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It’s thus that his younger, less intelligent brother Charles became heir to the throne (and I think we all know what happened to him….).

Another Lucchese, Giovanni Diodati (1576-1649), became a Protestant theologian, professor of linguistics, and the translator of the Bible in Italian and French. Giovanni’s translation of the Bible in Italian stands comparison with England’s own King James Version in the beauty of its language and that fact that it is still used in church services today. Indeed, only four years separate the Italian translation (1607) from the English one (1611).

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We were privileged to meet a great evangelical leader and scholar, former pastor of the Waldensian church in Lucca, Domenico  Maselli , at a conference he participated in on that powerful mediaeval countess, Matilda, the lady who ordered the building of our famous devil’s bridge. (See  https://longoio2.wordpress.com/2015/11/15/borgo-a-mozzanos-matilde/ for more on this and  Maselli who regretfully died the following year).

In Lucca’s via Galli-Tassi there’s an evangelical Valdensian church with a very active congregation. A friend, who also directs a choir I sing in, is organist at this church.

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There also used to be substantial numbers of Waldensians in the hills above Barga, especially at Piastroso and Renaio. They were protected by an old edict which stated that anyone living above 700 metres was free to practice whatever faith they wished.

Today, the mountain congregations have all but disappeared through emigration but every year, in July, the Waldensian evangelical community elsewhere meet up at the local inn in Renaio, called’ Il Mostrico’, for an ‘al fresco’ lunch, a prayer meeting and a talk about their community.

I turned up, by chance, towards the end of this year’s Renaio gathering and was impressed by the welcome I received and the beauty of the spot.

In the nearby school there was an exhibition of photographs depicting aspects of the group. How much history, how many ‘mute inglorious Miltons’ must there be in these evocative photographs!

The principal message of the Waldensian sectors is the oft stated but all too often disregarded one that ‘God is Love.’

It’s both an easy and a difficult message to follow. Words like ‘tolerance’, ‘forgiveness’, ‘apology’, all too often remain in one’s mind rather than in one’s actions.

I felt that both the Old Catholic recusants of England and Italy’s Waldensians must have survived to this day principally because they had the strength to forgive those who perpetrated the terrible persecutions they suffered in the past and because they were able to apologise for the persecutors before God himself.

I wish we all had the same power to forgive and forget. It would make the world such a better place!

Did Lord Byron Vandalise Our Prato Fiorito?

Rock carving is a worldwide phenomenon.  It can range from shallow incisions to the sculpting of entire temples and even animals from the rock, as we found in Mahabalipuram during our trip to Tamilnadu last year.

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In Italy there are many sites where rock carvings have been discovered. The Val Camonica in Brescia province, for example, contains the largest number in the world of such carvings: over 140,000 have been found so far!  I have not yet visited the area but a trail has been laid out for people to find the most significant of these carvings, or petroglyphs as they are more accurately termed.

arte-rupestre-660x330It’s not an easy thing to date the petroglyphs but, on the evidence of Stone Age flints and bones, some of them must have been carved thousands of years ago.

More recently petroglyphs have been discovered on our own Val di Lima’s Monte Limano and last year some amazing finds were made on the rocky slopes of Monte Prato Fiorito known as ‘le ravi’.

On Saturday 16 June, at the Sala Rosa of the Circolo dei Forestieri in Bagni di Lucca, I attended a fascinating conference on the new finds given by Giancarlo Sani who has already written two books on the subject and is an eminent researcher of petroglyphs. The conference was illustrated with photographs by David Bonaventuri, well known for his sports and nature pictures.

Thousands of carved signs and symbols have been discovered. They can be divided into three groups: symbolic carvings, most importantly the circle of life or the sun, pictographic signs such as face silhouettes, and names and dates.

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The important thing about these signs is that they reveal something of the world of shepherds who were plentiful on the mountain slopes within living memory (there are still a few left, Erica, for example). They were people whose life was spent largely in solitude with their flocks but  who were also determined to leave some record of their presence, of their religious beliefs and, for many of them, of their ability to write their names and dates.

Clearly the symbolic signs are the oldest and quite a few of them were vandalised in a later age when Christianity saw them as symbols of pagan cults. The signs with names and dates are rather later and the oldest of these has a date placing it in the seventeenth century.

Astonishingly one of the names appears to spell ‘Byron’ and bears a surprising similarity to the romantic poet’s signature.

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It will be remembered that Byron visited Bagni di Lucca as guest of John Webb, the then owner of the Villa Bonvisi, and loved walking around the surrounding hills. It is, therefore, quite possible that it was Lord George Gordon who ‘vandalised’ a part of the Prato Fiorito! After all, he also left his name on at least one Greek temple – at Sounion

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and also at the Chateau de Chillon where he wrote that haunting poem ‘The Prisoner of Chillon’  narrating the  imprisonment of a François Bonivard, a Genevois monk:

A book is promised on the petroglyphs of our Prato Fiorito and there will certainly be a lot more research by Sani and his devoted team. Who knows, more light could even be shed on the ancient witches Sabbaths that used to be held on this sacred mountain. In case you weren’t sure the Sabbaths or sabbats are still held by members of the Wiccan cult on the following dates

  • Yule, Winter Solstice: December 20, 21, 22, or 23
  • Brigid, Imbolc, Candlemas, Imbolg, or Brigid’s Day: February 1 or 2. …
  • Eostar, Spring Equinox, Ostara, or Oestarra: March 20, 21, 22, or 23. …
  • Beltane, May Eve, Beltaine, Bealtaine, or May Day: April 30 or May 1.

 

 

 

A Watchtower that Became a Cross

The Brancoleria is the name given to a valley that is part of the Pizzorne, the hills to the north east of Lucca and which are foothills of the Apennine range. The valley possesses a micro-climate which gives it very special characteristics with its variety of fauna and flora. The Brancoleria also has some of the most beautiful churches in Lucchesia and is great walking country.

 

One walk I’ve done in the past is that which goes to the largest cross in the province – that of Brancoli. We returned to the cross, this time in our mini SUV 4-wheel drive Panda, the last week of May.

 

Brancoli cross is erected on the site of a watchtower  built by the gonfalonier Ferrante Sbarra in 1594 to enable defence forces to see the plain of Lucca, the Apuan Alps, the Media Valle del Serchio, the Apennines and the Tyrrhenian Sea up to the Islands of Capraia and Gorgona. It served as a watchtower until the eighteenth century and linked with the Bargiglio (see my post on ‘the eye of Lucca’ at https://longoio2.wordpress.com/2014/10/15/the-eye-of-lucca/ ).  The watchtower was later abandoned when times became more peaceful and in 1900 its remaining ruins were demolished to build a huge cross to celebrate the new twentieth century.

The way to the cross is a Via Crucis with smaller crosses marking the Stations of the Cross:

 

The views from the cross are quite splendid even though the day was  clouding over in preparation for the great storm that was to spread over the whole area in late afternoon.

 

The Cross was built in stone and was blessed by the Bishop of Lucca, Giovanni Volpi. It became a destination for pilgrimages but in 1944, towards the end of WWII, was destroyed by the Germans, being considered a threat, because of its clearly identifiable position for allied aircraft (no GPS then!) After the war the Cross was rebuilt re-using stones of the old cross and the altar of the church of San Bartolomeo which was also destroyed.

Remnant of WWII can still be seen in the nearby trenches built as part of the Gothic Line (see my post at https://longoio.wordpress.com/2014/05/26/secret-mission-across-the-gothic-line-a-success/ for more on the Gothic Line).

 

It’s crazy how a religious symbol signifying peace and redemption should have been blown up and then made part of a last-ditch attempt by the Germans to save the Third Reich which was now threatened on three fronts: the allies from the west and south and the Soviets from the east. Such is the supreme irony of our human condition!

Here are some hints on how to get to the cross

By car

From Lucca follow the SS 12 towards Abetone, up to the locality Vinchiana. Then follow the sign for the Brancoleria and the Church of San Giusto di Brancoli.  Here you can leave your car and continue on foot.

Walks to the Cross of Brancoli

For Trekking lovers there are two routes that include the Cross of Brancoli and take around five hours.

First route – From the Church of San Giusto di Brancoli, where you leave the car, follow the road which starts metalled but then continues unmetalled until the junction, where a wooden sign indicates the Cross on the right. Afterwards continue along the unmetalled road until you get to Deccio di Brancoli and, later, to Piazza di Brancoli where you can visit the medieval church of the twelfth century. From here continue to Gignano, a town known for La Tosca restaurant which is highly recommended by trip advisor (we haven’t yet eaten there).

 

Second  Route – A new path has recently been opened which is part of the’ Sentieri delle Colline lucchesi’ leading to the Cross di Brancoli. It starts from the Church of Anchiano, where you leave the car, and take the new path marked with wooden tables. Walking time is five hours but I haven’t tested this path yet.

 

Buona Pasqua!

Oggi, primo aprile, è una giornata tradizionalmente associata col ‘pesce d’aprile’ ma quest’anno il pesce è molto diverso e tanto più importante. Ἰχθύς vuol dire pesce in greco ma significa anche Cristo poiché è l’acronimo per Iesous Christos Theou Yios Soter, cioè Gesù Cristo, Figlio di Dio, Il Salvatore.

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Cosi un doppio pesce d’auguri! Niente scherzi però, poiché oggi è il giorno della Santa Pasqua e del trionfo della vita sopra la morte del Redentore.

 

 

Aggiungo che i miei pesci provengono dalla favolosa cucina dell’antico monastero di Glastonbury dove eravamo due giorni fa; un luogo di altissima sacralità in Inghilterra dove le antiche storie narrano che Gesù venne in visita con lo zio, Giuseppe di Arimatea.

Questi pesci sono fatti con il legno del biancospino che pianto’ Giuseppe di Arimatea dalle spine della corona di Cristo in Croce.

Così vi auguro una BUONA E FELICE PASQUA con pesci d’aprile che simboleggiano la Resurrezione di Gesù in questo giorno sacro.

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(Foto di Sandra, nata sotto il segno dei pesci)

 

 

Due pesciolini

e le cinque pagnotte

saziano tutti.

 

 

Quando il Redentore Visito’ l’Inghilterra

Il centro della Sacralità in Inghilterra: qui, dove lo zio di Gesù, Giuseppe di Arimatea, portò il nipote nei suoi viaggi alle miniere di stagno della Cornovaglia per far commercio durante gli ‘anni perduti’ del Redentore dopo che il Cristo aveva lasciato la bottega del babbo falegname ma prima di iniziare la Sua missione tra gli uomini.

Qui, dove lo zio di Arimatea mostrò al Cristo il megalitico cerchio di pietre di Stonehenge, dove lo accompagnò a visitare i preti Druidi del Galles con la loro antica sapienza celtica.

Lo stesso Giuseppe di Arimatea che, deposto il corpo di Gesù dalla Croce, lo avvolse di una tela bianca con erbe e profumi e lo mise in una tomba appena scavata che doveva servire per sé stesso.

Lo stesso Giuseppe di Arimatea che, preso una spina dalla corona messa sulla testa del Salvatore in Croce, la portò nel paese dove era andato assieme col nipote e la pianto’ dove ora cresce la biflora crataegus monogyna, una specie di biancospino che fiorisce nelle tenebre dell’inverno, quando un fiore viene mandato per tradizione alla Regina, e di nuovo nella primavera.

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Qui, dove l’abbazia più grande, più bella e ricca della nazione fu fondata e ora resta in malinconiche rovine dopo la dissoluzione dei monasteri.

 

Qui, dove, in cima ad una collina antica come il tempo, una torre rimane della più vecchia chiesa esterna della Cristianità mentre i fedeli di Roma dovevano ancora rifugiarsi nelle catacombe.

 

Qui dove venne sepolto il re Artù e sua moglie Ginevra.

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Qui dove il poeta William Blake scrisse:

“E quei piedi nei tempi antichi
percorsero l’Inghilterra dai verdi monti?

E fu visto il sacro Agnello di Dio
sugli ameni pascoli d’Inghilterra?
E quel suo Volto Divino
splendere sulle nostre nuvolose colline?
E fu Gerusalemme costruita qui..?

Portatemi il mio arco d’oro ardente,
Portatemi le mie frecce di desiderio,
Portatemi la mia lancia: oh nuvole, apritevi!
Portatemi il mio carro di fuoco!
Non cessero’ la battaglia mentale
E né la spada mi dormirà in mano,
Finché non avremo costruito Gerusalemme
nella verde e piacevole terra d’Inghilterra.”

E qui, mentre un vento burrascoso ci circondava, sul monte mistico di Glastonbury Tor, abbiamo passato la vigilia del venerdì Santo.

 

La Sua presenza

si sente nel fruscio del vento:

fiore del tempo.

 

 

Lucca’s Archbishop comes to Bagni di Lucca

The rare visit of an archbishop to Bagni di Lucca means that something of major ecclesiastical importance will be announced.

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Last week, in Villa’s parish hall, Castellani’s simple message to the congegations of Val di Lima was that many local churches will have to be closed down, and parishes merged, within ten years because of a lack of priests. The figures are stark: since archbishop Italo Castellani succeeded to the See of Lucca in 2005 one hundred and fifty priests have died of old age or ill health and just ten new ones have been found to replace them. Currently the seminary of Lucca, where fledgling priests are trained, has been reduced from over two hundred entrants to just five – and the majority of the novices are not of Italian origin.

Of course, those who object to priestcraft and think that the Roman Catholic Church is a cover-up for exploitation of people’s superstitions and are instigators of sexual abuse and corruption will be delighted. But that is not the point. Religion in Italy is a cultural phenomenon which permeates all aspects of life in this country whether one is a believer or not. To give a very simple example: near our village a young man some years ago fell in love with a girl from another part of the Lucchesia. Both wanted to get married and desired a white wedding. This proved to be impossible since the groom had dropped out of his catechism class, had not received the Holy Communion sacrament and was, therefore, ineligible for a church ceremony. Much against his instincts, but realizing that the respective families would have felt done out of a ‘proper’ wedding, the groom, in his twenties, re-attended catechism classes, fortunately this time with a more personable priest, and a white wedding was able to be celebrated.

Of course, social change, anomie and immigration in Italy’s big cities are changing the picture but it still remain true to state that belief in the Holy Family, and particularly the Madonna, is at the heart of the majority of social nuclei in this country.

Furthermore, the largest part of Italian artistic creation, some of the highest order the world has known, has been sponsored by ecclesiastical institutions.  I am not just referring to the great fresco cycles, like Michelangelo’s in Rome’s Sistine chapel, or the wonderful basilicas and sanctuaries that grace our landscape. Even Longoio’s little church has a beautiful seventeenth century altarpiece which would be extolled by the UK’s National Trust but is here just another humble example of religious manifestation.

Who would look after or even be able to think of looking after such a heritage? Up to now it’s been the priests with their acolytes, parishioners and volunteers. What would happen if the last priest vanished from the Controneria countryside? How could one commemorate the annual saint’s day festivals with their colourful processions, their elaborate church displays and their joyful celebrations? Are we really beginning to see something as drastic as that which happened with the dissolution of the British monasteries under Henry VIII – the overnight sweeping away of centuries of history, tradition, artistic creation and literature?

This picture’s paint is even bleaker when one considers that, of the priests left to serve the community, few are below the age of sixty.

Of course, the Church has exploited the naivety of the faith of many locals in the past, burnt heretics, forced women into nunneries, abused the young etc. but it has also helped social cohesion (‘Vox Populi Vox Dei’) and provided education and social care.

The only religion that is growing in these parts is that which has roots outside Europe. The Muslim community is ever clamouring for more spaces in which to practices its faith. (See my post on the Florence mosque at https://longoio2.wordpress.com/2015/01/10/a-mosque-for-florence-una-moschea-per-firenze/ ). If the picture does not change regarding priesthood recruitment are we to expect what is happening to several cities in (e.g.) the UK: the sale of churches to other convictions? In that country, for example, 500 churches have closed down since 1990 and 423 new mosques founded, over half of which use converted ex-Christian churches. The landscape of Birmingham is now increasingly dominated by minarets rather than by spires and, regrettably, British multiculturalism is giving way to Islamic fundamentalism as the phenomenon of ‘foreign fighters’ has demonstrated.

What is the answer to all this? My solution would be the following:

  1. The setting up of an effective government, business and church financed body to look after closed or abandoned churches rather in the style of the Redundant Churches Fund in the UK.
  2. The encouragement of young people who are believers in the Roman Catholic Church to participate more fully in its liturgy. This is already taking place in the case of a local young Religious Instruction teacher who assists the priest in the Mass and conducts a church choir. Could not these young persons conduct more of the church service like a ‘Diacono’ or Deacon? (A ‘Diacono’ is a layperson who is able to celebrate the Mass without blessing the Host, which must be sanctified by the priest).
  3. Could not ‘Diacono’ qualifications be extended? (For example, married men can become ‘Diaconi’ but single men can only be ‘Diaconi’ provided they remain unmarried). Also, in this age of gender equality, why can’t women become ‘Diaconi’?

Regrettably I see, if the Church does not move forwards and grasp the nettle, a scenario where. perhaps by the end of the next century, churches in our valley will either be turned into perpetually locked-up museum pieces or have their campaniles converted into minarets to cater for the increasing Islamic community and the Val di Lima may echo to the call of the muezzin rather than the ring of bells. It happened in 1453 when the cathedral of Santa Sophia in Constantinople was converted into a mosque in its renamed city of Istanbul and it’s happening in many parts of the UK today. So why shouldn’t it happen here in the Val di Lima (or rather, why mustn’t  it happen…)

 

 

Turin’s Mysterious Holy Shroud

The Holy Shroud of Turin is one of the most mysterious objects in the world. For many Christians it’s the winding sheet in which Christ’s body was placed when it was removed from the sepulchre in which he was placed after his crucifixion. For others it’s just a fake.

The shroud, or ‘Sacra Sindone’, in Italian has even sprouted a new science called Sindology. A sindologist is a person who carries out research on this arcane object. There have been various tests carried out on the Sindone. One test involves dating the cloth which carries the impression of a tortured being with blood from a supposed crown of thorns, similar blood traces from the centre of his hands – presumably from the nails driven into him to hang him on the cross – and a spear mark between the ribs on the left side. Already here there is much discussion. A recent test dates the cloth from around 1200 AD. Other tests trace the herringbone weave pattern to a period between 500 BC and 200 AD. Other tests analyse vegetation pollen traces and place the cloth in the Middle East in terms of plant species. Then there’s the historical analysis: there’s no mention of the winding sheet before mediaeval times.

(The Sacra Sindone)

So what does the Roman Catholic church think about it all? It neither confirms the sindone’s authenticity nor does it deny it. Instead the church believes that the image of the face upon it is an aid to meditate upon the face of Christ. This is what many popes have confirmed. If the winding sheet helps in concentrating the mind on a being who has evidently suffered and been tortured in the manner of Christ himself then this is good enough.

(The Holy Face on the shroud)

However, a recent study (Casabianca, Tristan (May 2013) “The Shroud of Turin: A Historiographical Approach” – The Heythrop Journal) concludes that “that the probability of the Shroud of Turin being the real shroud of Jesus of Nazareth is very high”.

Actually it wasn’t until 1983 that the Holy Shroud became the property of the Roman Catholic Church when it was gifted to them by its previous owners, the Royal House of Savoy.

In 1997 the chapel in which the shroud was conserved was subject to a fire whose causes are still to this day unknown. Oddly, it was another fire in the Savoy Chapel of Chambéry where the shroud was kept (today the French region of Haute-Savoie once part of the kingdom of Piedmont but ceded to Frace in return for help in unifying Italy in 1861) in the sixteenth century which caused those prominent burn marks on each side of the shroud.

(The Sacra Sindone Chapel still under scaffolding last Thursday)

It has taken already twenty years for the Sacra Sindone chapel, situated behind the cathedral’s apse, to be restored. It is hoped, however, that Guarini’s masterpiece will be re-opened to the public by the end of this year. At the moment the shroud is temporarily kept in a chapel at the end of the cathedral’s left aisle where I saw its chest during my recent visit to Turin.

(Worshippers before the shroud last Thursday)

Occasionally the shroud is unravelled from this chest and ‘exposed’ to the public. This occurred in 2010 and we were keen to see this mysterious relic.

Here are some photos from our visit to see the Sindone seven years ago:

During my recent visit I had a look at the ‘Sacra Sindone’ museum in Turin which obviously does not hold the shroud but documents its history and research completed on it. There is a sculpture showing  how the unknown person who many say was Jesus would have been positioned in the tomb with the winding sheet.

There’s the kind of loom the winding sheet would have been weaved on at Christ’s time:

There is the huge plate-camera used by Secondo Pia to take the first photographs of the shroud in 1898.

The museum is well-organised and draws one even further into the enigma of this mysterious object worthy of a Dan Brown thriller.

Like all devotional objects in religion, however, it’s not the object itself which is important but the power it has in making people think, or re-think, their ideas on transcendent experiences. There are so many things beyond our comprehension upon this planet and Turin’s highly shroud ranks high on that list.

 

If you want to know more there’s the well thought out Sindone Museum at the following site:

http://www.sindone.it/#band_en&LL=en